In Glorious Light a BNSF Quartet Round Sullivan’s Curve, California with a Merchandise Train
The majority of train photographs tend to be what is commonly termed ‘three quarter frontal’, although I actually think that on many occasions the ‘going away’ shot can be more effective. Admittedly, the set up was planned to work with a train in either direction and the ideal shot would have included a UP working coming towards the camera on the right hand tracks.
Leica M8
28mm/F2 ASPH
250/F6.7
In Glorious Light a BNSF Quartet Round Sullivan’s Curve, California with a Merchandise Train
The majority of train photographs tend to be what is commonly termed ‘three quarter frontal’, although I actually think that on many occasions the ‘going away’ shot can be more effective. Admittedly, the set up was planned to work with a train in either direction and the ideal shot would have included a UP working coming towards the camera on the right hand tracks.
Leica M8
28mm/F2 ASPH
250/F6.7