Giles Watson's poetry and prose
Oracle
Picture: Nineteenth century image of a Carrion Crow from Morris's English Birds, digitally adapted.
An old illustration from my collection called The Morrigan's Dark Ministers, here:
www.flickr.com/photos/29320962@N07/sets/72157610356313494/
The ORACLE
The curse of the oracle I bear:
Baring uncomfortable truths
To those with too much power.
My heart, a small receptacle
For a kingly soul, beating old blood
About a body battered and maligned.
I spoke truths of children
Serpent tailed; Athene dropped her stone
In wrath, making Lycabettus,
And banished me from the Acropolis,
Turning black my bone-white
Feathers, beak and claw.
*
I shall draw the keeper’s wrath
Away from jays and slit-eyed foxes.
Of lead-shot cruelty I caw,
And hang dead, wired up like lightning
Zigzag, or a hooked and hanging
Question mark, zeroing to ground.
Cut me down gently, bury me,
Let my black fluid flow back
To Earth, who made me.
The curse of the oracle I bear:
Baring uncomfortable truths
To those with too much power.
Source material: In Greek mythology, the crow, personified as Cronus, was an oracular bird, and was said to house the soul of a sacred king after his sacrifice. The crow was cursed and banished by Athene after he reported to her that Herse, Pandrosos and Agraulos had plunged in terror from the Acropolis after uncovering a child with a serpent’s tail. She did this after dropping the stone which she had been carrying towards the Acropolis, thus forming the nearby Lycabettus Hill. See Robert Graves, The Greek Myths, 6, 7, 25, 50. The second half of the poem describes the plight of a particular crow, known to the author, who happened to fly within range of the gun of a bloodthirsty gamekeeper.
Oracle
Picture: Nineteenth century image of a Carrion Crow from Morris's English Birds, digitally adapted.
An old illustration from my collection called The Morrigan's Dark Ministers, here:
www.flickr.com/photos/29320962@N07/sets/72157610356313494/
The ORACLE
The curse of the oracle I bear:
Baring uncomfortable truths
To those with too much power.
My heart, a small receptacle
For a kingly soul, beating old blood
About a body battered and maligned.
I spoke truths of children
Serpent tailed; Athene dropped her stone
In wrath, making Lycabettus,
And banished me from the Acropolis,
Turning black my bone-white
Feathers, beak and claw.
*
I shall draw the keeper’s wrath
Away from jays and slit-eyed foxes.
Of lead-shot cruelty I caw,
And hang dead, wired up like lightning
Zigzag, or a hooked and hanging
Question mark, zeroing to ground.
Cut me down gently, bury me,
Let my black fluid flow back
To Earth, who made me.
The curse of the oracle I bear:
Baring uncomfortable truths
To those with too much power.
Source material: In Greek mythology, the crow, personified as Cronus, was an oracular bird, and was said to house the soul of a sacred king after his sacrifice. The crow was cursed and banished by Athene after he reported to her that Herse, Pandrosos and Agraulos had plunged in terror from the Acropolis after uncovering a child with a serpent’s tail. She did this after dropping the stone which she had been carrying towards the Acropolis, thus forming the nearby Lycabettus Hill. See Robert Graves, The Greek Myths, 6, 7, 25, 50. The second half of the poem describes the plight of a particular crow, known to the author, who happened to fly within range of the gun of a bloodthirsty gamekeeper.