![Silk warp, cotton weft; mirrorwork ‘odhni’ (known as ‘karamulah’) depicting flowers and parrots [not shown], worn at festive occasions by Ahir women of Kutch, Gujarat | by Knoxville Museum of Art](http://live.staticflickr.com/2486/4226598244_f9b6998958.jpg)
Knoxville Museum of Art
Silk warp, cotton weft; mirrorwork ‘odhni’ (known as ‘karamulah’) depicting flowers and parrots [not shown], worn at festive occasions by Ahir women of Kutch, Gujarat
Mashru (satin weave warp-faced) textile
Silk warp, cotton weft; mirrorwork ‘odhni’ (known as ‘karamulah’) depicting flowers and parrots [not shown], worn at festive occasions by Ahir women of Kutch, Gujarat
Davies, Sian. "untitled." Photograph. Gillow, John and Nicholas Barnard. Traditional Indian Textiles. London: Thames and Hudson, 1991, 56.
Anne Wilson: Wind/Rewind/Weave
Knoxville Museum of Art
WOVEN STRIPES + BANDS
Log of sources
WOVEN STRIPES + BANDS (2.63MB)
This log presents a diversity of woven textiles showing warp stripes and weft bands from various countries and time periods. Libby O'Bryan was the primary researcher of images. Emily Nachison added material, color corrected, and formatted the images with text. Olivia Valentine worked from this image bank to create the flat screen display in the exhibition.
Silk warp, cotton weft; mirrorwork ‘odhni’ (known as ‘karamulah’) depicting flowers and parrots [not shown], worn at festive occasions by Ahir women of Kutch, Gujarat
Mashru (satin weave warp-faced) textile
Silk warp, cotton weft; mirrorwork ‘odhni’ (known as ‘karamulah’) depicting flowers and parrots [not shown], worn at festive occasions by Ahir women of Kutch, Gujarat
Davies, Sian. "untitled." Photograph. Gillow, John and Nicholas Barnard. Traditional Indian Textiles. London: Thames and Hudson, 1991, 56.
Anne Wilson: Wind/Rewind/Weave
Knoxville Museum of Art
WOVEN STRIPES + BANDS
Log of sources
WOVEN STRIPES + BANDS (2.63MB)
This log presents a diversity of woven textiles showing warp stripes and weft bands from various countries and time periods. Libby O'Bryan was the primary researcher of images. Emily Nachison added material, color corrected, and formatted the images with text. Olivia Valentine worked from this image bank to create the flat screen display in the exhibition.