Forehall & nave, Santa Maria dell Ammiraglio
The church is a Co-cathedral to the Eparchy of Piana degli Albanesi of the Italo-Albanian Catholic Church, a diocese which includes the Italo-Albanian (Arbëreshë) communities in Sicily who officiate the liturgy according to the Byzantine Rite in the Koine Greek language and Albanian language. The Church bears witness to the Eastern religious and artistic culture still present in Italy today, further enhanced by the Albanian exiles who took refuge in southern Italy and Sicily from the 15th century under the pressure of Turkish-Ottoman persecutions in Albania and the Balkans. The latter influence has left considerable traces in the painting of icons, in the religious rite, in the language of the parish, in the traditional customs of some Albanian colonies in the province of Palermo. The community is part of the Catholic Church, but follows the ritual and spiritual traditions that largely share it with the Eastern Orthodox Church.
The church is characterized by a multiplicity of styles that meet, since, through the succession of centuries, it was enriched by various tastes in art, architecture and culture. Today, it stands as a church-historical monument, and subject to protection.
The Forehall is decorated with later frescoes of comparatively little artistic significance. The frescoes in the middle part of the walls are from the 18th century, attributed to the flemish painter Guglielmo Borremans.
Since 3 July 2015 it has been part of the UNESCO World Heritage Site known as Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale.
c/o Wikipedia
Forehall & nave, Santa Maria dell Ammiraglio
The church is a Co-cathedral to the Eparchy of Piana degli Albanesi of the Italo-Albanian Catholic Church, a diocese which includes the Italo-Albanian (Arbëreshë) communities in Sicily who officiate the liturgy according to the Byzantine Rite in the Koine Greek language and Albanian language. The Church bears witness to the Eastern religious and artistic culture still present in Italy today, further enhanced by the Albanian exiles who took refuge in southern Italy and Sicily from the 15th century under the pressure of Turkish-Ottoman persecutions in Albania and the Balkans. The latter influence has left considerable traces in the painting of icons, in the religious rite, in the language of the parish, in the traditional customs of some Albanian colonies in the province of Palermo. The community is part of the Catholic Church, but follows the ritual and spiritual traditions that largely share it with the Eastern Orthodox Church.
The church is characterized by a multiplicity of styles that meet, since, through the succession of centuries, it was enriched by various tastes in art, architecture and culture. Today, it stands as a church-historical monument, and subject to protection.
The Forehall is decorated with later frescoes of comparatively little artistic significance. The frescoes in the middle part of the walls are from the 18th century, attributed to the flemish painter Guglielmo Borremans.
Since 3 July 2015 it has been part of the UNESCO World Heritage Site known as Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale.
c/o Wikipedia