Françoise Lucas says:
Texte et photo sont indissociables. Texte sélectionné par Jef Safi pour accompagner la photo:
Etant donné un monde et une fonction d'apparaître ayant ses valeurs dans le transcendantal de ce monde, nous appellerons "existence" d'un étant "x" qui apparaît dans ce monde le degré transcendantal assigné à l'identité de "x" à lui-même. Ainsi définie, l'existence n'est pas une catégorie de l'être, c'est une catégorie de l'apparaître. En particulier, "exister" n'a aucun sens en soi. Conformément à une intuition de Sartre, empruntée à Heidegger, mais aussi à Kiekegaard, voire à Pascal, "exister" ne se dit que relativement à un monde.
Given a world and an appearing function having its values in the transcendental of this world, we call "existence" of a being "x" that appears in this world, the transcendental degree assigned to the identity of "x" to himself. Thus defined, the "existence" is not a category of the being, this is a category of the appearing. In particular, "to exist" has no meaning in itself. According to an intuition of Sartre, borrowed from Heidegger, but also from Kiekegaard, even Pascal, "to exist" can be said only relatively to a world.
( Alain Badiou - 1991 - Logiques des mondes, L'être et l'événement, 2, livre III section I )
Françoise Lucas says:
Text accompanying the photo:
"quattro cilindri con tre ombre, due triangoli, un trapezio.
Ma in realtà i triangoli potrebbero essere due, i trapezi otto e le altre figure mistilinee....
...Esiste dunque "una prospettiva dell'astratto", in cui l'artificio può imitare la realtà e diversificarla, tendendo a costruire uno spazio espressivo e allo stesso tempo lineare e aereo....
Christine Buci-Glucksmann"
Françoise Lucas says:
Text accompanying the photo:
_ Limitations - Composition in blue, black and grey - A celebration of Piet Mondrian
I construct lines and color combinations on a flat surface, in order to express general beauty with the utmost awareness. Nature (or, that which I see) inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that, until I reach the foundation (still just an external foundation) of things.
Piet Mondrian
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