A Graduate of Pomona
11. William Henry Hunt, Study of a Gamekeeper, 1826
Study of a Gamekeeper
Private collection ?
Ink, pencil and watercolor
16.9 X 11.8 in., 43 X 30 cm.
Signed and dated 1826
Provenance:
William Ward of Richmond, England;
The Hon George Duncan, acquired from
the above, 3 Oct 1892 for 50 gns.;
Private collection, UK, 2010
(S) Turnbull, 10 June 2010, Lot 11 (P) £19,000 [hammer], $27,425
Inscribed by the artist on the backing board:
Drawn from Nature by Wm Hunt, 6 Marchmont
St. Russell Square
Also inscribed in another hand:
Watercolour drawing / The ‘Gamekeeper’ by
William Hunt of the Old Watercolour Society
London / Price – Fifty guineas – purchased from
William Ward of Richmond, Surrey (2 Church
Terrace) by The Honble George Duncan on
October 3rd 1892 – The British Museum desired
to have this picture but G. D. had first choice –
Mr W. Ward was Mr Ruskin’s assistant at the
National Gallery when arranging the
Turners –
It is hard to believe that this watercolor, which does not appear to be finished, would have been a painting which Hunt would have exhibited. It may be a study for a more finished watercolor, much like the Huntington study of a Hod Carrier, 4, note 2 (2).
11. William Henry Hunt, Study of a Gamekeeper, 1826
Study of a Gamekeeper
Private collection ?
Ink, pencil and watercolor
16.9 X 11.8 in., 43 X 30 cm.
Signed and dated 1826
Provenance:
William Ward of Richmond, England;
The Hon George Duncan, acquired from
the above, 3 Oct 1892 for 50 gns.;
Private collection, UK, 2010
(S) Turnbull, 10 June 2010, Lot 11 (P) £19,000 [hammer], $27,425
Inscribed by the artist on the backing board:
Drawn from Nature by Wm Hunt, 6 Marchmont
St. Russell Square
Also inscribed in another hand:
Watercolour drawing / The ‘Gamekeeper’ by
William Hunt of the Old Watercolour Society
London / Price – Fifty guineas – purchased from
William Ward of Richmond, Surrey (2 Church
Terrace) by The Honble George Duncan on
October 3rd 1892 – The British Museum desired
to have this picture but G. D. had first choice –
Mr W. Ward was Mr Ruskin’s assistant at the
National Gallery when arranging the
Turners –
It is hard to believe that this watercolor, which does not appear to be finished, would have been a painting which Hunt would have exhibited. It may be a study for a more finished watercolor, much like the Huntington study of a Hod Carrier, 4, note 2 (2).