Shea's Buffalo Theatre, Buffalo, NY
Shea's Performing Arts Center, 646 Main Street, Buffalo, New York. Shea's Performing Arts Center (originally called Shea's Buffalo) is a theater for touring Broadway musicals and special events. It was opened in 1926 to show silent movies. Shea's boasts one of the few theater organs in the US that is still in operation in the theater for which it was designed. The theatre was designed by the firm of Rapp and Rapp from Chicago. Modeled in a combination of Spanish and French Baroque and Rococo styles, the theatre was designed to resemble opera houses and palaces of Europe of the 17th and 18th centuries. Originally the seating accommodated nearly 4,000 people, but several hundred seats were removed in the 1930s to make more comfortable accommodations in the orchestra area; there are now 3,019 seats at Shea's. The interior was designed by world-renowned designer/artist Louis Comfort Tiffany, and most of the interior elements are still in place today. Many of the furnishings and fixtures were supplied by Marshall Field in Chicago, and included immense Czechoslovakian crystal chandeliers of the finest quality. The theater opened on January 16, 1926, showing the film "King of Main Street", starring Adolphe Menjou.
When the original owner Michael Shea retired in 1930, Shea's interests were headed by V. R. McFaul, who owned and managed several dozen Shea's Theaters in the metro Buffalo area until his death in 1955. Loew's Theatres took over the chain's interests in 1948. The theatre fell into some disrepair in the 1960s and 1970s when downtown Buffalo was in decline. It was operated at that time by Loew's Corporation as primarily a showcase for "Blacksploitation" films. The theatre was owned at that time by Leon Lawrence Sidell, who was failing to pay his taxes. A small group of folks, known as the original "Friends of the Buffalo" theatre, began doing work on the organ and other parts of the theatre. When it became apparent that the theatre would default to the city on back taxes owed by Leon Lawrence Sidell, Loew's was preparing to leave and strip the theatre of its contents. The Friends went through the theatre and inventoried every item. In landmark court decision, a judge blocked Loew's from removing the contents, including chandeliers, furniture, organ and projection equipment. The claim was that Loew's owned these items, and legal counter argument stated that the items were an integral part of the theatre. The judge actually toured the theatre, including the organ chambers, and ruled for the Friends and the City. The building came under the watchful eye of then Comptroller George O'Connell, for whom the theatre was later surnamed. Under his watch, and the Friends, the theatre was able to keep its utilities running, and repairs began.The Friends of the Buffalo were then given operating privileges of the building and undertook massive restoration through government grants, and developed a performance series in the late 1970s. Broadway Theatre manager and producer Robert B. D'Angelo was brought in as CEO in the late 1970s. In his short span at the helm he booked multi-week engagements of several major broadway national tours including A Chorus Line, Chicago, Annie and Les Miserables, helping to reestablish Buffalo as an important stop on the Broadway tour circuit. A Grand Re-Opening was mounted to a sold-out audience in the late 1970s with Cab Calloway and George Burns. Calloway had performed at the theatre at its original opening week in 1926 and Burns had performed there in the late 1940s. The volunteer Friends of the Buffalo group was replaced by a professional management team. The Friends continued to enlarge its volunteer base, which worked on various restoration projects, including the Wurlitzer Organ. The theatre is now a hugely successful performance center, having undergone a large expansion of its stage facilities to accommodate larger touring productions.
Shea's Buffalo Theatre, Buffalo, NY
Shea's Performing Arts Center, 646 Main Street, Buffalo, New York. Shea's Performing Arts Center (originally called Shea's Buffalo) is a theater for touring Broadway musicals and special events. It was opened in 1926 to show silent movies. Shea's boasts one of the few theater organs in the US that is still in operation in the theater for which it was designed. The theatre was designed by the firm of Rapp and Rapp from Chicago. Modeled in a combination of Spanish and French Baroque and Rococo styles, the theatre was designed to resemble opera houses and palaces of Europe of the 17th and 18th centuries. Originally the seating accommodated nearly 4,000 people, but several hundred seats were removed in the 1930s to make more comfortable accommodations in the orchestra area; there are now 3,019 seats at Shea's. The interior was designed by world-renowned designer/artist Louis Comfort Tiffany, and most of the interior elements are still in place today. Many of the furnishings and fixtures were supplied by Marshall Field in Chicago, and included immense Czechoslovakian crystal chandeliers of the finest quality. The theater opened on January 16, 1926, showing the film "King of Main Street", starring Adolphe Menjou.
When the original owner Michael Shea retired in 1930, Shea's interests were headed by V. R. McFaul, who owned and managed several dozen Shea's Theaters in the metro Buffalo area until his death in 1955. Loew's Theatres took over the chain's interests in 1948. The theatre fell into some disrepair in the 1960s and 1970s when downtown Buffalo was in decline. It was operated at that time by Loew's Corporation as primarily a showcase for "Blacksploitation" films. The theatre was owned at that time by Leon Lawrence Sidell, who was failing to pay his taxes. A small group of folks, known as the original "Friends of the Buffalo" theatre, began doing work on the organ and other parts of the theatre. When it became apparent that the theatre would default to the city on back taxes owed by Leon Lawrence Sidell, Loew's was preparing to leave and strip the theatre of its contents. The Friends went through the theatre and inventoried every item. In landmark court decision, a judge blocked Loew's from removing the contents, including chandeliers, furniture, organ and projection equipment. The claim was that Loew's owned these items, and legal counter argument stated that the items were an integral part of the theatre. The judge actually toured the theatre, including the organ chambers, and ruled for the Friends and the City. The building came under the watchful eye of then Comptroller George O'Connell, for whom the theatre was later surnamed. Under his watch, and the Friends, the theatre was able to keep its utilities running, and repairs began.The Friends of the Buffalo were then given operating privileges of the building and undertook massive restoration through government grants, and developed a performance series in the late 1970s. Broadway Theatre manager and producer Robert B. D'Angelo was brought in as CEO in the late 1970s. In his short span at the helm he booked multi-week engagements of several major broadway national tours including A Chorus Line, Chicago, Annie and Les Miserables, helping to reestablish Buffalo as an important stop on the Broadway tour circuit. A Grand Re-Opening was mounted to a sold-out audience in the late 1970s with Cab Calloway and George Burns. Calloway had performed at the theatre at its original opening week in 1926 and Burns had performed there in the late 1940s. The volunteer Friends of the Buffalo group was replaced by a professional management team. The Friends continued to enlarge its volunteer base, which worked on various restoration projects, including the Wurlitzer Organ. The theatre is now a hugely successful performance center, having undergone a large expansion of its stage facilities to accommodate larger touring productions.