Brandon D.
Kyle Doherty Collection 2009
STROBIST INFO --
Basically, the idea here was to get a wall of light coming from camera right. Yet, there's a use of a hint of light coming from camera the left for sculpting.
Main light: SB-26 in a Westcott shoot through umbrella @ camera right, on a light stand at about her height.. The umbrella was placed at a 45 degree angle to the subject, facing directly at her.
Fill light: SB-800 in a Westcott Apollo 28x28" softbox @ camera right. The softbox was placed at a 90 degree angle to the subject.
Cross light: Vivitar 283 bare @ camera left. I Bogen clamped it to the background support stand.
All lights were triggered via optical slaves, by the pop-up flash on my camera (set a its lowest power).
Nikon D300
Nikkor 70-200mm F/2.8 VR
Sekonic L-358
1/125th, F/8, ISO 200
Kyle Doherty Collection 2009
STROBIST INFO --
Basically, the idea here was to get a wall of light coming from camera right. Yet, there's a use of a hint of light coming from camera the left for sculpting.
Main light: SB-26 in a Westcott shoot through umbrella @ camera right, on a light stand at about her height.. The umbrella was placed at a 45 degree angle to the subject, facing directly at her.
Fill light: SB-800 in a Westcott Apollo 28x28" softbox @ camera right. The softbox was placed at a 90 degree angle to the subject.
Cross light: Vivitar 283 bare @ camera left. I Bogen clamped it to the background support stand.
All lights were triggered via optical slaves, by the pop-up flash on my camera (set a its lowest power).
Nikon D300
Nikkor 70-200mm F/2.8 VR
Sekonic L-358
1/125th, F/8, ISO 200