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Nesserbar Street -Tosa Hanga paper
An old street in Nessebar, Bulgaria.
Traditional Balkanic architecture.
Van Dyke Brown print on Japanese Tosa Hanga paper (96g/m2)
The same negative, sensitizer and exposure time as the perviouse one.
Quite difficult to work on this traditional Japanese paper. It is hand-made of 70% Kozo and it has a harsh look. It is a very absorbant paper and difficult to sensitize. While being very strong it has a very sensible and easy to scratch surface with visible fine fibers. Should be handled with care while wet.
Here it is mounted on Khadi hand-made Indian paper.
This is the first time I've tried the dry-mounting system for the traditional Sumi-e paintings with a Van Dyke Brown print. It works very well for me.
I like the colors of the print on this paper more than on other papers.
Nesserbar Street -Tosa Hanga paper
An old street in Nessebar, Bulgaria.
Traditional Balkanic architecture.
Van Dyke Brown print on Japanese Tosa Hanga paper (96g/m2)
The same negative, sensitizer and exposure time as the perviouse one.
Quite difficult to work on this traditional Japanese paper. It is hand-made of 70% Kozo and it has a harsh look. It is a very absorbant paper and difficult to sensitize. While being very strong it has a very sensible and easy to scratch surface with visible fine fibers. Should be handled with care while wet.
Here it is mounted on Khadi hand-made Indian paper.
This is the first time I've tried the dry-mounting system for the traditional Sumi-e paintings with a Van Dyke Brown print. It works very well for me.
I like the colors of the print on this paper more than on other papers.