Little Cressingham, Norfolk, UK
Monument to William Henry Fortescue, Viscount Clermont and Earl of Clermont in Ireland †1806. Marble. South chancel. Commissioned by his nephew and executor William Fortescue, the second Viscount. Signed: De Carle &Son, Bury, Suffolk.
This, as Jon Bayliss noted, is a key monument for attributions to the De Carle workshop. The inscription is set within an open pediment with urn under a crown on an aureole and fluted Corinthian capitals, suggesting a doorway, with the coat of arms in the apron. The design had been used in the monuments to Matthew †1779 and Sarah Goss at St Peter Hungate, Norwich, to Anthony Norris †1786 at Barton Turf, and to Charles Parrott †1787 at Saham Toney. At St Peter Hungate the apron shows a roundel with profile portrait bust, probably by de Carle’s senior partner, John Ivory. Ivory had retired in the 1790s and after the death of his son Thomas in 1805 the business was sold by his widow in October 1806. This may explain why the De Carles, who had moved one of their family workshops to Bury, felt free to sign a monument whose design may owe much to John Ivory.
Clermont was 85 when he died, having been appointed Baron Clermont in 1770 and a Viscount in 1776, both in the Peerage of Ireland. He was succeeded, as the inscription notes, by his nephew, who apologises at the end that he: ‘was away in Ireland at the time of his decease.’ Viscount Clermont had Pickenham Hall rebuilt by Sir Robert Taylor in 1777-78. It was rebuilt by William Pilkington in 1812-13 on the orders of the second Viscount Clermont.
en.wikipedia.org/wiki/Viscount_Clermont; Nikolaus Pevsner and Bill Wilson, Buildings of England. Norfolk 2: North West and South, New Haven and London, 1997, 519; biography of John Ivory in Ingrid Roscoe, Emma Hardy & MG. Sullivan, A Biographical Dictionary of Sculptors in Britain, 1660-1851, online at the Henry Moore Foundation
detail of the top of the monument
Little Cressingham, Norfolk, UK
Monument to William Henry Fortescue, Viscount Clermont and Earl of Clermont in Ireland †1806. Marble. South chancel. Commissioned by his nephew and executor William Fortescue, the second Viscount. Signed: De Carle &Son, Bury, Suffolk.
This, as Jon Bayliss noted, is a key monument for attributions to the De Carle workshop. The inscription is set within an open pediment with urn under a crown on an aureole and fluted Corinthian capitals, suggesting a doorway, with the coat of arms in the apron. The design had been used in the monuments to Matthew †1779 and Sarah Goss at St Peter Hungate, Norwich, to Anthony Norris †1786 at Barton Turf, and to Charles Parrott †1787 at Saham Toney. At St Peter Hungate the apron shows a roundel with profile portrait bust, probably by de Carle’s senior partner, John Ivory. Ivory had retired in the 1790s and after the death of his son Thomas in 1805 the business was sold by his widow in October 1806. This may explain why the De Carles, who had moved one of their family workshops to Bury, felt free to sign a monument whose design may owe much to John Ivory.
Clermont was 85 when he died, having been appointed Baron Clermont in 1770 and a Viscount in 1776, both in the Peerage of Ireland. He was succeeded, as the inscription notes, by his nephew, who apologises at the end that he: ‘was away in Ireland at the time of his decease.’ Viscount Clermont had Pickenham Hall rebuilt by Sir Robert Taylor in 1777-78. It was rebuilt by William Pilkington in 1812-13 on the orders of the second Viscount Clermont.
en.wikipedia.org/wiki/Viscount_Clermont; Nikolaus Pevsner and Bill Wilson, Buildings of England. Norfolk 2: North West and South, New Haven and London, 1997, 519; biography of John Ivory in Ingrid Roscoe, Emma Hardy & MG. Sullivan, A Biographical Dictionary of Sculptors in Britain, 1660-1851, online at the Henry Moore Foundation
detail of the top of the monument