paisajesemergentes
top ten finalists Iakov Chernikhov prize 2010
The jury examined 133 works of 133 nominees from 25 countries.
List of nominees, selected on the first day of the Jury meeting:
Alejanfro Aravena Mori (Chile)
Fantastic Norway AS (Norway)
Paisajes Emergentes (Colombia)
L.E.FT (USA)
Vector Architects (China)
OFIS architects (Slovenia)
Standardarchitecture (China)
DECOLONIZING ARCHITECTURE (Israel)
Feld 72 (Austria)
Bailo+Rull (Spain)
DORELL.GHOTMEH.TANE (France)
Julien de Smedt (Belgium)
Nikita Asadov (Russia)
Jean-Christophe Quinton (France)
Didier Fiuza Faustino (France)
Gramazio & Kohler (Switzerland)
Ge Ming (China)
Sou Fujimoto (Japan)
Solid Objectives SO – IL (USA)
HOLLMEN REUTER SANDMAN Architects (Finland)
Helen & Hard (Norway)
List of nominees, selected on the final day of the Jury meeting:
Top ten.
Nikita Asadov (Russia)
Jean-Christophe Quinton (France)
Alejandro Aravena (Chile)
Ronald Rietveld (Netherlands)
Paisajes Emergentes (Colombia)
L.E.F.T (USA)
Standard Architecture (China)
Decolonizing Architecture (Israel)
Feld 72 (Austria)
Fantastic Norway AS (Norway)
Curator statement:
Stefano Boeri
The eye of the needle of local space
Manifesto for a new form of Localism
1.
Even if it may seem paradoxical, globalization has further emphasized the irreducible specificity of local spaces.
2.
Yet "local space" is not to be understood as a mere geographical context, or the localization of a determined object in a place of tradition and historical culture, but rather as a spatial (physical, mineral) device capable of concentrating structural tendencies that – developed locally –unfold at the moment in which external flows of transformation enter into contact with a determined territory.
3.
Even if moved by external and immaterial forces, any event that implies material transformation incites and intercepts this local device. And is inevitably conditioned by it. Local space acts, in other words, like the eye of a needle through which the thread of transformation must necessarily pass.
4.
International architecture must today be able to recognize and value this new form of "localism".
This does not imply an opposition to global propensities but rather the need to absorb and regenerate these through the selective filter of local culture and its materials.
5.
This new perspective brings back into discussion the concepts of Regionalism and Context and introduces within the architectural realm the notion of Translation. As with language (often regenerated through neologisms), local architecture must receive the spaces produced by new social behaviours - as is the case world wide of new places of worship or commerce or of new forms of solitude and cohabitation – and translate them into the device of local space.
6.
Yet this translation is neither a simple reproduction "in style" nor a free interpretation. Contemporary architecture cannot become an Esperanto that cancels geographical differences or a sum of dialects that refuses contamination with the world.
7.
The eye of the needle of local space is a creative device that transforms global flows into fuel for regenerating places. It uses the whole world to build a place.
top ten finalists Iakov Chernikhov prize 2010
The jury examined 133 works of 133 nominees from 25 countries.
List of nominees, selected on the first day of the Jury meeting:
Alejanfro Aravena Mori (Chile)
Fantastic Norway AS (Norway)
Paisajes Emergentes (Colombia)
L.E.FT (USA)
Vector Architects (China)
OFIS architects (Slovenia)
Standardarchitecture (China)
DECOLONIZING ARCHITECTURE (Israel)
Feld 72 (Austria)
Bailo+Rull (Spain)
DORELL.GHOTMEH.TANE (France)
Julien de Smedt (Belgium)
Nikita Asadov (Russia)
Jean-Christophe Quinton (France)
Didier Fiuza Faustino (France)
Gramazio & Kohler (Switzerland)
Ge Ming (China)
Sou Fujimoto (Japan)
Solid Objectives SO – IL (USA)
HOLLMEN REUTER SANDMAN Architects (Finland)
Helen & Hard (Norway)
List of nominees, selected on the final day of the Jury meeting:
Top ten.
Nikita Asadov (Russia)
Jean-Christophe Quinton (France)
Alejandro Aravena (Chile)
Ronald Rietveld (Netherlands)
Paisajes Emergentes (Colombia)
L.E.F.T (USA)
Standard Architecture (China)
Decolonizing Architecture (Israel)
Feld 72 (Austria)
Fantastic Norway AS (Norway)
Curator statement:
Stefano Boeri
The eye of the needle of local space
Manifesto for a new form of Localism
1.
Even if it may seem paradoxical, globalization has further emphasized the irreducible specificity of local spaces.
2.
Yet "local space" is not to be understood as a mere geographical context, or the localization of a determined object in a place of tradition and historical culture, but rather as a spatial (physical, mineral) device capable of concentrating structural tendencies that – developed locally –unfold at the moment in which external flows of transformation enter into contact with a determined territory.
3.
Even if moved by external and immaterial forces, any event that implies material transformation incites and intercepts this local device. And is inevitably conditioned by it. Local space acts, in other words, like the eye of a needle through which the thread of transformation must necessarily pass.
4.
International architecture must today be able to recognize and value this new form of "localism".
This does not imply an opposition to global propensities but rather the need to absorb and regenerate these through the selective filter of local culture and its materials.
5.
This new perspective brings back into discussion the concepts of Regionalism and Context and introduces within the architectural realm the notion of Translation. As with language (often regenerated through neologisms), local architecture must receive the spaces produced by new social behaviours - as is the case world wide of new places of worship or commerce or of new forms of solitude and cohabitation – and translate them into the device of local space.
6.
Yet this translation is neither a simple reproduction "in style" nor a free interpretation. Contemporary architecture cannot become an Esperanto that cancels geographical differences or a sum of dialects that refuses contamination with the world.
7.
The eye of the needle of local space is a creative device that transforms global flows into fuel for regenerating places. It uses the whole world to build a place.