The Pantheon in autumn
IMG_0132
Stourhead National Trust.
The Pantheon 6.1.66 GV I Temple. 1753-54 by Henry Flitcroft for Henry Hoare. Limestone ashlar. Tetrastyle in antis Corinthian portico, six step stylobate, flanking semi-circular niches in eared architraves with pediments, containing lead statues of Bacchus and Venus Callipygos, probably by John Cheere, modillioned entablature and pediment. Right returns have empty pedimented niches. Rear of portico narrows to vestibule with blind external walls, octagonal temple to rear with blind walls, drum to lead dome, rear wall retains roofline and corbelled stack of former room containing a stove from which warm air passed into the temple through a grille. Portico interior has double doors with six fielded panels in moulded architrave with pediment leading to vestibule. Vestibule has semi-circular niches with urns on pedestals, groin vaulted ceiling, 2 steps up to wrought iron gates by Benjamin Smith of Westminster in semi-circular arched opening leading to temple. Circular temple interior has coffered ceiling with frieze of bucrania and garlands, modillioned cornice, dome top-lit by stained glass circular window. Walls lined with seven egg and dart moulded niches, the one opposite the entrance contains Rysbrack's famous statue of Hercules, 1747, to the left is Rysbrack's Flora, lead statue of Diana and St Susanna. To the right of Hercules is an antique marble statue of Livia Augusta as Ceres, Meleager by John Cheere and Isis, the latter two are plaster. Above the niches and door are eight plaster relief panels of classical scenes by Benjamin Carter. The Pantheon was originally called the Temple of Hercules; it was built for Rysbrack's statue. It is probably the most important element in the Gardens, providing a focus for vistas across the lake from different points. (K. Woodbridge, The Stourhead Landscape, 1982; R. Gunnis, A Dictionary of British Sculptors, 1951)
The Pantheon in autumn
IMG_0132
Stourhead National Trust.
The Pantheon 6.1.66 GV I Temple. 1753-54 by Henry Flitcroft for Henry Hoare. Limestone ashlar. Tetrastyle in antis Corinthian portico, six step stylobate, flanking semi-circular niches in eared architraves with pediments, containing lead statues of Bacchus and Venus Callipygos, probably by John Cheere, modillioned entablature and pediment. Right returns have empty pedimented niches. Rear of portico narrows to vestibule with blind external walls, octagonal temple to rear with blind walls, drum to lead dome, rear wall retains roofline and corbelled stack of former room containing a stove from which warm air passed into the temple through a grille. Portico interior has double doors with six fielded panels in moulded architrave with pediment leading to vestibule. Vestibule has semi-circular niches with urns on pedestals, groin vaulted ceiling, 2 steps up to wrought iron gates by Benjamin Smith of Westminster in semi-circular arched opening leading to temple. Circular temple interior has coffered ceiling with frieze of bucrania and garlands, modillioned cornice, dome top-lit by stained glass circular window. Walls lined with seven egg and dart moulded niches, the one opposite the entrance contains Rysbrack's famous statue of Hercules, 1747, to the left is Rysbrack's Flora, lead statue of Diana and St Susanna. To the right of Hercules is an antique marble statue of Livia Augusta as Ceres, Meleager by John Cheere and Isis, the latter two are plaster. Above the niches and door are eight plaster relief panels of classical scenes by Benjamin Carter. The Pantheon was originally called the Temple of Hercules; it was built for Rysbrack's statue. It is probably the most important element in the Gardens, providing a focus for vistas across the lake from different points. (K. Woodbridge, The Stourhead Landscape, 1982; R. Gunnis, A Dictionary of British Sculptors, 1951)