Goddard Bridge
I have this theory about photographing covered bridges.
it goes something like this: no matter how remote the location, no matter how light the traffic flow in the area, no matter how quiet and still it all seems, the second you get your camera clamped down on the tripod and have the composition set just right, a car will appear from out of nowhere and come rip-snorting at you from behind, sending you diving for the safety of the truss-beams. It happens-always; and not just to me, I once saw a blue haired grandma appear out of nowhere and blast full throttle onto a remote Indiana bridge with my photographer friend Kevin strolling innocently inside. She careened out the far side--and since Kevin wasn't stuck to the grill of her Nissan Rogue-- I concluded right there that he had the kind of reflexes necessary to be a successful bridge photographer.
Olympus EM1 MarkII
Olympus M.12-200 f/3.5-6.3
Camera converted to 830nm Infrared
Goddard Bridge
I have this theory about photographing covered bridges.
it goes something like this: no matter how remote the location, no matter how light the traffic flow in the area, no matter how quiet and still it all seems, the second you get your camera clamped down on the tripod and have the composition set just right, a car will appear from out of nowhere and come rip-snorting at you from behind, sending you diving for the safety of the truss-beams. It happens-always; and not just to me, I once saw a blue haired grandma appear out of nowhere and blast full throttle onto a remote Indiana bridge with my photographer friend Kevin strolling innocently inside. She careened out the far side--and since Kevin wasn't stuck to the grill of her Nissan Rogue-- I concluded right there that he had the kind of reflexes necessary to be a successful bridge photographer.
Olympus EM1 MarkII
Olympus M.12-200 f/3.5-6.3
Camera converted to 830nm Infrared