awfulsteelmelon
Beams on the water (IR 510nm)
From the stormy and cold n windy IR session in March. Don't mind the foliage/landscape going mute and dark when it's overcast, with 510nm. Sometimes however, the cloudy sky can be a bit all over the place, (false-)color wise. Hard to get this straightened out, but hey, can't have everything I guess, and it doesn't matter for black & white. Think it's nice, the rays, the shimme on the water, with the stay in the foreground and no people on it.
Technically it's a 5-piece panorama, plain cylindrical stitch, 12690 x 4402px, ~55,9MP.
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep yellow 4x (15, G) filter
B+W 010 UV-Haze 1x MRC F-Pro filter
ISO100, 24mm, f/8, 1/640sec
(therefore 36mm full frame equivalent)
tripod, regular 3-way head, remote (ML-L3)
Beams on the water (IR 510nm)
From the stormy and cold n windy IR session in March. Don't mind the foliage/landscape going mute and dark when it's overcast, with 510nm. Sometimes however, the cloudy sky can be a bit all over the place, (false-)color wise. Hard to get this straightened out, but hey, can't have everything I guess, and it doesn't matter for black & white. Think it's nice, the rays, the shimme on the water, with the stay in the foreground and no people on it.
Technically it's a 5-piece panorama, plain cylindrical stitch, 12690 x 4402px, ~55,9MP.
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep yellow 4x (15, G) filter
B+W 010 UV-Haze 1x MRC F-Pro filter
ISO100, 24mm, f/8, 1/640sec
(therefore 36mm full frame equivalent)
tripod, regular 3-way head, remote (ML-L3)