SAMHARA TANDAVA
The word "Tandava" originates from the Sanskrit language and can be translated as "violent" or "fiery." It is believed that Lord Shiva may perform the Tandava dance in a variety of distinct forms, each of which represents a particular facet of his personality. These characteristics include both the kind and the ferocious sides of his character. The Tandava dance is typically thought of as having 7 distinct elements, which are referred to as "Ánanda Tandava", "Rudra Tandava," and "Samhara Tandava" and they contain a wide range of feelings as well as cosmic movements. These facets are supposed to embody a variety of dispositions and acts, ranging from mild and graceful to strong and awe-inspiring, depending on how they are interpreted. In many depictions of the dance, Lord Siva is shown flanked by his celestial consort, Goddess Parvati, while he is represented holding a variety of qualities.
The Siva Tandava holds great significance as it serves as a representation of the eternal cycles of creation, destruction, and transformation that manifest across the vast expanse of the cosmos. It acts as a symbolic manifestation of the ever-changing interplay between the constructive and destructive forces, hence serving as a perpetual symbol of the impermanence inherent in the realm of nature. The Tandava is said to possess a profound cosmic influence through its rhythmic and dynamic movements, purportedly affecting the equilibrium of energy inside the universe. The aforementioned conviction arises from the historical evidence that the Tandava dance holds ancient origins.
Within the realm of Hindu mythology, a plethora of narratives and customs exist, elucidating several instances whereby Lord Shiva is portrayed engaging in the Tandava dance. The Samhara Tandava is a specific manifestation of the divine dance performed by Lord Shiva, which is said to have transpired subsequent to the annihililation of Tripursura. This formidable being consisted of three Asuras known as Via Tarakaksa, and Veeryavan. Shiva mounted his sacred vehicle, a bull known as Nandi, and proceeded to pursue the airborne city, Tripura. Utilizing the celestial arme ment known as the Päsupatästra, the protagonist emerged triumphant subsequent to an intense conflict, effectively obliterating the malevolent entities.
Following the triumph over Tripurasura, Lord Siva executed the Samhara Tandava, as a symbolic representation of the reinstatement of equilibrium and the cessation of the The Samhara Tandava is frequently portrayed as Lord Shiva assuming an intimidating and powerful manifestation, symbolizing the fervor and resolve with which he orchestrates the eradication of detrimental influences. The Puranas depict Shiva's Samhära Tandava in a highly spectacular manner, wherein the entire cosmic atmosphere becomes enveloped in darkness, engulfed by flames, resonating with thunder, and evoking a sense of fear. Shreshta's painting effectively captures this phenomenon. The Samhara Tandava, performed by Siva, could only be pacified by the form of Lãsya Nitya, a sort of tranquilizing dance, executed by the goddess Devi Parvati.
Shrestha included symbolic elements in his depiction of the Sivalinga, portraying it as a manifestation of the deity Siva, and the Manav Suska Munda, symbolizing the concept of destruction. The depiction reveals the figure positioned atop a skull, adorned with tiger skin, adorned with serpents, donning Candra (the moon), and with Ganga emanating from his Jata (hair). The deity is depicted as having six arms, two of which are grasping a Trisula, a three-pronged spear, one clutching a Damaru, a small hand drum, and one carrying a Kapala Patra, a cup made from a skull. The remaining arms are observed engaging in the expressive movement of Nitya (dance).
SAMHARA TANDAVA
The word "Tandava" originates from the Sanskrit language and can be translated as "violent" or "fiery." It is believed that Lord Shiva may perform the Tandava dance in a variety of distinct forms, each of which represents a particular facet of his personality. These characteristics include both the kind and the ferocious sides of his character. The Tandava dance is typically thought of as having 7 distinct elements, which are referred to as "Ánanda Tandava", "Rudra Tandava," and "Samhara Tandava" and they contain a wide range of feelings as well as cosmic movements. These facets are supposed to embody a variety of dispositions and acts, ranging from mild and graceful to strong and awe-inspiring, depending on how they are interpreted. In many depictions of the dance, Lord Siva is shown flanked by his celestial consort, Goddess Parvati, while he is represented holding a variety of qualities.
The Siva Tandava holds great significance as it serves as a representation of the eternal cycles of creation, destruction, and transformation that manifest across the vast expanse of the cosmos. It acts as a symbolic manifestation of the ever-changing interplay between the constructive and destructive forces, hence serving as a perpetual symbol of the impermanence inherent in the realm of nature. The Tandava is said to possess a profound cosmic influence through its rhythmic and dynamic movements, purportedly affecting the equilibrium of energy inside the universe. The aforementioned conviction arises from the historical evidence that the Tandava dance holds ancient origins.
Within the realm of Hindu mythology, a plethora of narratives and customs exist, elucidating several instances whereby Lord Shiva is portrayed engaging in the Tandava dance. The Samhara Tandava is a specific manifestation of the divine dance performed by Lord Shiva, which is said to have transpired subsequent to the annihililation of Tripursura. This formidable being consisted of three Asuras known as Via Tarakaksa, and Veeryavan. Shiva mounted his sacred vehicle, a bull known as Nandi, and proceeded to pursue the airborne city, Tripura. Utilizing the celestial arme ment known as the Päsupatästra, the protagonist emerged triumphant subsequent to an intense conflict, effectively obliterating the malevolent entities.
Following the triumph over Tripurasura, Lord Siva executed the Samhara Tandava, as a symbolic representation of the reinstatement of equilibrium and the cessation of the The Samhara Tandava is frequently portrayed as Lord Shiva assuming an intimidating and powerful manifestation, symbolizing the fervor and resolve with which he orchestrates the eradication of detrimental influences. The Puranas depict Shiva's Samhära Tandava in a highly spectacular manner, wherein the entire cosmic atmosphere becomes enveloped in darkness, engulfed by flames, resonating with thunder, and evoking a sense of fear. Shreshta's painting effectively captures this phenomenon. The Samhara Tandava, performed by Siva, could only be pacified by the form of Lãsya Nitya, a sort of tranquilizing dance, executed by the goddess Devi Parvati.
Shrestha included symbolic elements in his depiction of the Sivalinga, portraying it as a manifestation of the deity Siva, and the Manav Suska Munda, symbolizing the concept of destruction. The depiction reveals the figure positioned atop a skull, adorned with tiger skin, adorned with serpents, donning Candra (the moon), and with Ganga emanating from his Jata (hair). The deity is depicted as having six arms, two of which are grasping a Trisula, a three-pronged spear, one clutching a Damaru, a small hand drum, and one carrying a Kapala Patra, a cup made from a skull. The remaining arms are observed engaging in the expressive movement of Nitya (dance).