Howard Arkley - House and garden, western suburbs, Melbourne 1988
Howard Arkley
Australia 1951-1999
Europe, United States of America 1976-1977
House and garden, western suburbs, Melbourne 1988
Naarm/Melbourne
synthetic polymer paint on canvas
Purchased 1988 1988.646.A-B
[My works] confront the real Australian experience of
urban, suburban living, against the contrived over-
emphasis of rural/bush/landscape subjects... For me,
understanding the suburbs is like understanding the bush.
- Howard Arkley
Howard Arkley developed a dynamic style, exploring colour,
line, shape and pattern in our urban environment. In much the
same way as an earlier generation explored the landscape,
he created images of suburban life. To many younger
artists, this was an obvious place to start, as almost 90% of
Australians live in the suburbs. Arkley used bold artificial
colours, emphasising the patterns of roof tiles and garage
doors, paved pathways and sweeping lawns. He enjoyed
experimenting with the flatness of the paint surface and with
reimagining exterior and interior dimensions of experience.
Howard Arkley - House and garden, western suburbs, Melbourne 1988
Howard Arkley
Australia 1951-1999
Europe, United States of America 1976-1977
House and garden, western suburbs, Melbourne 1988
Naarm/Melbourne
synthetic polymer paint on canvas
Purchased 1988 1988.646.A-B
[My works] confront the real Australian experience of
urban, suburban living, against the contrived over-
emphasis of rural/bush/landscape subjects... For me,
understanding the suburbs is like understanding the bush.
- Howard Arkley
Howard Arkley developed a dynamic style, exploring colour,
line, shape and pattern in our urban environment. In much the
same way as an earlier generation explored the landscape,
he created images of suburban life. To many younger
artists, this was an obvious place to start, as almost 90% of
Australians live in the suburbs. Arkley used bold artificial
colours, emphasising the patterns of roof tiles and garage
doors, paved pathways and sweeping lawns. He enjoyed
experimenting with the flatness of the paint surface and with
reimagining exterior and interior dimensions of experience.