quantumdylan
WellDidntFuckTheFilm_LongExposures_STRIP003
Have been experimenting a lot with bulk-rolled Kodak 2383 color print film and an 85 daylight/tungsten thingy. Actually just about fixes the colors, though of course there's a couple artifacts here that aren't necessarily the film's fault.
This is a very long exposure, about 10 minutes I want to say. Had the thing wide open around 1.8 or 2.8, and definitely over-exposed. But still have some reasonable colors in here! Love the magenta shadows ha
But the 85 filter is kind of fucked, it's got some awful damage done to it's coating so wide-open introduces some very obnoxious flaring. That combined with the little LED faux-neon signs out of sight lighting the curtains up magenta and cyan. Whoops!
NOTE: I developed this in RA4 chems around 100-102f for 3.5 minutes or so, then blixed with RA4 blix for 6.5 minutes around the same temp. Using the #85 filter gives you pretty decent images that reverse more or less perfectly assuming you exposed right. Without it, the film gets a very harsh blue cast, since it expects the orange mask from a standard negative.
WellDidntFuckTheFilm_LongExposures_STRIP003
Have been experimenting a lot with bulk-rolled Kodak 2383 color print film and an 85 daylight/tungsten thingy. Actually just about fixes the colors, though of course there's a couple artifacts here that aren't necessarily the film's fault.
This is a very long exposure, about 10 minutes I want to say. Had the thing wide open around 1.8 or 2.8, and definitely over-exposed. But still have some reasonable colors in here! Love the magenta shadows ha
But the 85 filter is kind of fucked, it's got some awful damage done to it's coating so wide-open introduces some very obnoxious flaring. That combined with the little LED faux-neon signs out of sight lighting the curtains up magenta and cyan. Whoops!
NOTE: I developed this in RA4 chems around 100-102f for 3.5 minutes or so, then blixed with RA4 blix for 6.5 minutes around the same temp. Using the #85 filter gives you pretty decent images that reverse more or less perfectly assuming you exposed right. Without it, the film gets a very harsh blue cast, since it expects the orange mask from a standard negative.