Rosslyn Chapel, Scotland
Rosslyn Chapel is a 15th-century Episcopal chapel located in the village of Roslin in Midlothian, Scotland. The chapel was founded by William Sinclair, 1st Earl of Caithness with a ground-breaking ceremony in 1456. After the Scottish Reformation in 1560, it was largely abandoned but, following a visit by Queen Victoria, it was rededicated in 1862. It was the target of a bombing in 1914 during the suffragette bombing and arson campaign. The interior contains some fine carvings which many historians have sought to interpret.
The original plans for Rosslyn have never been found or recorded, so it is open to speculation whether or not the chapel was intended to be built in its current layout. Its architecture is considered to be among the finest in Scotland.
Construction of the chapel began on 20 September 1456, although it has often been recorded as 1446. The confusion over the building date comes from the chapel's receiving its founding charter to build a collegiate chapel in 1446 from Rome.
Although the original building was to be cruciform, it was never completed. Only the choir was constructed, with the retro-chapel, otherwise called the Lady chapel, built on the much earlier crypt (Lower Chapel) believed to form part of an earlier castle. The foundations of the unbuilt nave and transepts stretching to a distance of 90 feet were recorded in the 19th century. Construction of the planned nave and transepts was abandoned.
The Lower Chapel (also known as the crypt or sacristy) should not be confused with the burial vaults that lie underneath Rosslyn Chapel.
The chapel stands on fourteen pillars, which form an arcade of twelve pointed arches on three sides of the nave. At the east end, a fourteenth pillar between the penultimate pair form a three-pillared division between the nave and the Lady chapel. The three pillars at the east end of the chapel are named, from north to south: the Master Pillar, the Journeyman Pillar and, most famously, the Apprentice Pillar.
Carvings
Among Rosslyn's many intricate carvings are a sequence of 213 cubes or "boxes" protruding from pillars and arches with a selection of patterns on them. It is unknown if these patterns have any particular meaning attached to them. Many people have attempted to find information coded into them, but no interpretation has yet proven conclusive. Unfortunately, many of these 'boxes' are not original, having been replaced in the 19th century after erosion damage.
One recent attempt to make sense of the boxes has been to interpret them as a musical score. The motifs on the boxes somewhat resemble geometric patterns seen in the study of cymatics. The patterns are formed by placing powder upon a flat surface and vibrating the surface at different frequencies. By matching these Chladni patterns with musical notes corresponding to the same frequencies, the father-and-son team of Thomas and Stuart Mitchell produced a tune which Stuart calls the Rosslyn Motet.
There are more than 110 carvings of "Green Men" in and around the chapel. Green Men are carvings of human faces with greenery all around them, often growing out of their mouths. They are found in all areas of the chapel, with one example in the Lady chapel, between the two middle altars.
Other carvings represent plants, including depictions of wheat, strawberries or lilies.[34] The authors Robert Lomas and Christopher Knight have hypothesised that some carvings in the chapel represent ears of new world corn or maize, a plant which was unknown in Europe at the time of the chapel's construction.[35] In their book they discuss meeting with the wife of botanist Adrian Dyer, and that Dyer's wife told him that Dyer agreed that the image thought to be maize was accurate. In fact, Dyer found only one identifiable plant among the botanical carvings and suggested that the "maize" and "aloe" were stylised wooden patterns, only coincidentally looking like real plants.
Rosslyn Chapel, Scotland
Rosslyn Chapel is a 15th-century Episcopal chapel located in the village of Roslin in Midlothian, Scotland. The chapel was founded by William Sinclair, 1st Earl of Caithness with a ground-breaking ceremony in 1456. After the Scottish Reformation in 1560, it was largely abandoned but, following a visit by Queen Victoria, it was rededicated in 1862. It was the target of a bombing in 1914 during the suffragette bombing and arson campaign. The interior contains some fine carvings which many historians have sought to interpret.
The original plans for Rosslyn have never been found or recorded, so it is open to speculation whether or not the chapel was intended to be built in its current layout. Its architecture is considered to be among the finest in Scotland.
Construction of the chapel began on 20 September 1456, although it has often been recorded as 1446. The confusion over the building date comes from the chapel's receiving its founding charter to build a collegiate chapel in 1446 from Rome.
Although the original building was to be cruciform, it was never completed. Only the choir was constructed, with the retro-chapel, otherwise called the Lady chapel, built on the much earlier crypt (Lower Chapel) believed to form part of an earlier castle. The foundations of the unbuilt nave and transepts stretching to a distance of 90 feet were recorded in the 19th century. Construction of the planned nave and transepts was abandoned.
The Lower Chapel (also known as the crypt or sacristy) should not be confused with the burial vaults that lie underneath Rosslyn Chapel.
The chapel stands on fourteen pillars, which form an arcade of twelve pointed arches on three sides of the nave. At the east end, a fourteenth pillar between the penultimate pair form a three-pillared division between the nave and the Lady chapel. The three pillars at the east end of the chapel are named, from north to south: the Master Pillar, the Journeyman Pillar and, most famously, the Apprentice Pillar.
Carvings
Among Rosslyn's many intricate carvings are a sequence of 213 cubes or "boxes" protruding from pillars and arches with a selection of patterns on them. It is unknown if these patterns have any particular meaning attached to them. Many people have attempted to find information coded into them, but no interpretation has yet proven conclusive. Unfortunately, many of these 'boxes' are not original, having been replaced in the 19th century after erosion damage.
One recent attempt to make sense of the boxes has been to interpret them as a musical score. The motifs on the boxes somewhat resemble geometric patterns seen in the study of cymatics. The patterns are formed by placing powder upon a flat surface and vibrating the surface at different frequencies. By matching these Chladni patterns with musical notes corresponding to the same frequencies, the father-and-son team of Thomas and Stuart Mitchell produced a tune which Stuart calls the Rosslyn Motet.
There are more than 110 carvings of "Green Men" in and around the chapel. Green Men are carvings of human faces with greenery all around them, often growing out of their mouths. They are found in all areas of the chapel, with one example in the Lady chapel, between the two middle altars.
Other carvings represent plants, including depictions of wheat, strawberries or lilies.[34] The authors Robert Lomas and Christopher Knight have hypothesised that some carvings in the chapel represent ears of new world corn or maize, a plant which was unknown in Europe at the time of the chapel's construction.[35] In their book they discuss meeting with the wife of botanist Adrian Dyer, and that Dyer's wife told him that Dyer agreed that the image thought to be maize was accurate. In fact, Dyer found only one identifiable plant among the botanical carvings and suggested that the "maize" and "aloe" were stylised wooden patterns, only coincidentally looking like real plants.