dorcam1653
St Marys - Bairnsdale
The church is executed in the Romanesque style, constructed of red brick, with cement dressings, a slate roof, and small copper dome to the dominant 42 metre high, asymmetrically placed tower. The comprehensive interior decorative scheme is of murals depicting the apostles, numerous saints, imaginings of purgatory, heaven and hell, and numerous seraphims and cherubims. It was executed by Francesco Floreani between 1931 and 1938.
Floreani was a migrant Italian from Udine, who had studied painting at Udine College and then at the Academy of Arts in Turin. He arrived in Melbourne in 1928 and briefly was a house painter in Melbourne. During the Depression he became an itinerant farm worker in Bairnsdale. In 1931 he approached Father Cremin for work, and after completing some minor commissions he set about a comprehensive decorative scheme for the church. The content of his murals were probably at least partly directed by Father Cremin, and are in flat, stylised manner, possibly inspired by Renaissance religious art. Father Cremin paid Floreani 3 pounds per week from his own purse.
St Marys - Bairnsdale
The church is executed in the Romanesque style, constructed of red brick, with cement dressings, a slate roof, and small copper dome to the dominant 42 metre high, asymmetrically placed tower. The comprehensive interior decorative scheme is of murals depicting the apostles, numerous saints, imaginings of purgatory, heaven and hell, and numerous seraphims and cherubims. It was executed by Francesco Floreani between 1931 and 1938.
Floreani was a migrant Italian from Udine, who had studied painting at Udine College and then at the Academy of Arts in Turin. He arrived in Melbourne in 1928 and briefly was a house painter in Melbourne. During the Depression he became an itinerant farm worker in Bairnsdale. In 1931 he approached Father Cremin for work, and after completing some minor commissions he set about a comprehensive decorative scheme for the church. The content of his murals were probably at least partly directed by Father Cremin, and are in flat, stylised manner, possibly inspired by Renaissance religious art. Father Cremin paid Floreani 3 pounds per week from his own purse.