1615 (ca.), Four Portraits (clockwise from upper left): A Raja by Balchand, 'Inayat Kahn, by Daulat, 'Abd al-Khaliq, probably by Balchand, and Jamal Khan Qaravul, by Murad -- Metropolitan Museum of Art (New York)
From the museum label: These portraits were made for Jahangir (r. 1605-27), whose painters, while technically flawless, were able to reveal the nuances of characterization. 'Inayat Khan, a favorite courtier, is remembered today from two portraits made as he lay at death's door, emaciated from his addiction to opium and wine, though here he appears healthy. 'Abd al-Khaliq met his death after siding with Shah Jahan against his father. Jamal Khan Qaravul was a minor nobleman, and the identification of the raja, in Jahangir's handwriting, is illegible.
1615 (ca.), Four Portraits (clockwise from upper left): A Raja by Balchand, 'Inayat Kahn, by Daulat, 'Abd al-Khaliq, probably by Balchand, and Jamal Khan Qaravul, by Murad -- Metropolitan Museum of Art (New York)
From the museum label: These portraits were made for Jahangir (r. 1605-27), whose painters, while technically flawless, were able to reveal the nuances of characterization. 'Inayat Khan, a favorite courtier, is remembered today from two portraits made as he lay at death's door, emaciated from his addiction to opium and wine, though here he appears healthy. 'Abd al-Khaliq met his death after siding with Shah Jahan against his father. Jamal Khan Qaravul was a minor nobleman, and the identification of the raja, in Jahangir's handwriting, is illegible.