1873 (ca.), Paul Cezanne, The House of the Hanged Man, Auvers-sur-Oise -- National Gallery of Art (Washington) (special exhibition)
From the museum/exhibition label:
Société Anonyme 1874, no. 42
Cezanne discovered the joys of landscapes while working with Pissarro during an 1872 - 1873 painting campaign in the country. His earlier work was distinguished by its dark color palette and thickly applied paint. Under Pissarro's tutelage, Cezanne refocused his intense energy and lightened his color and brushwork. He devised unconventional ways to convey a sense of space and volume on the two-dimensional surface of the canvas. These concerns informed and sustained his painting practice for the next three decades.
1873 (ca.), Paul Cezanne, The House of the Hanged Man, Auvers-sur-Oise -- National Gallery of Art (Washington) (special exhibition)
From the museum/exhibition label:
Société Anonyme 1874, no. 42
Cezanne discovered the joys of landscapes while working with Pissarro during an 1872 - 1873 painting campaign in the country. His earlier work was distinguished by its dark color palette and thickly applied paint. Under Pissarro's tutelage, Cezanne refocused his intense energy and lightened his color and brushwork. He devised unconventional ways to convey a sense of space and volume on the two-dimensional surface of the canvas. These concerns informed and sustained his painting practice for the next three decades.