1910, Henri Rousseau, Tropical Landscape: American Indian Struggling with a Gorilla -- Virginia Museum of Fine Arts (Richmond)
From the museum label: Rousseau was a self-taught artist who made a living as a toll collector while he aspired to become a respected member of the artistic establishment. The naive and artificial style of this painting typifies his highly original compositions, which appealed to enthusiasts of the avant-garde when he exhibited at the Salon of the Société des Artistes Indépendants. He conceived his landscape as a progression of flat planes arranged in a manner resembling theater scenery. Framed in the composition's center, a man dressed in feather loincloth and headdress and a gorilla figure as unlikely opponents. The artist exploited racist stereotypes about indigenous people that were all too prevalent in the popular European imagination of the time. The fight between man and beast, in relief against a background of uncultivated nature, reflects a conception of distant tropical geographies as still "uncivilized." This culturally relative evaluation had long served as a pretense for colonial invasion. This prejudice coexisted in Rousseau's mind with a sincere fascination and curiosity for non-European cultures, which he perceived as poetic and exotic.
1910, Henri Rousseau, Tropical Landscape: American Indian Struggling with a Gorilla -- Virginia Museum of Fine Arts (Richmond)
From the museum label: Rousseau was a self-taught artist who made a living as a toll collector while he aspired to become a respected member of the artistic establishment. The naive and artificial style of this painting typifies his highly original compositions, which appealed to enthusiasts of the avant-garde when he exhibited at the Salon of the Société des Artistes Indépendants. He conceived his landscape as a progression of flat planes arranged in a manner resembling theater scenery. Framed in the composition's center, a man dressed in feather loincloth and headdress and a gorilla figure as unlikely opponents. The artist exploited racist stereotypes about indigenous people that were all too prevalent in the popular European imagination of the time. The fight between man and beast, in relief against a background of uncultivated nature, reflects a conception of distant tropical geographies as still "uncivilized." This culturally relative evaluation had long served as a pretense for colonial invasion. This prejudice coexisted in Rousseau's mind with a sincere fascination and curiosity for non-European cultures, which he perceived as poetic and exotic.