1902, Everett Shinn, Spanish Music Hall -- Metropolitan Museum of Art (New York)
From the museum label: Among his Ashcan colleagues, Shinn was most partial to theatrical subjects, which he found on both the street and stage, treating the urban spectacle in pastel and oil. During a trip to Europe in 1900, he discovered the influential work of Edgar Degas. Here, Shinn echoed the French master's practice of placing the viewer of the painting among represented theater patrons, as a virtual member of the audience. The scene likely depicts a New York vaudeville house, where Spanish songs and dances were popular parts of the bill.
1902, Everett Shinn, Spanish Music Hall -- Metropolitan Museum of Art (New York)
From the museum label: Among his Ashcan colleagues, Shinn was most partial to theatrical subjects, which he found on both the street and stage, treating the urban spectacle in pastel and oil. During a trip to Europe in 1900, he discovered the influential work of Edgar Degas. Here, Shinn echoed the French master's practice of placing the viewer of the painting among represented theater patrons, as a virtual member of the audience. The scene likely depicts a New York vaudeville house, where Spanish songs and dances were popular parts of the bill.