1911, Natalia Goncharova, Bûcherons (Lumberjacks) -- Pompidou Center (Paris)
From the museum label: For Natalia Goncharova and Mikhail Larionov, plastic techniques could be used to serve a spirit of revolt against the naturalistic and symbolist aesthetic heritage of the past. The new Rayonism they created focused on capturing the effects of light on objects, landscapes and beings. The dynamism of the lines, the intense expressive rhythm, the violence created by the primitive aspect of Loggers is combined with the use of deep. On the eve of the First World War, appeared a genuine community of spirit within these works, between the Russian avant-garde and german expressionism.
1911, Natalia Goncharova, Bûcherons (Lumberjacks) -- Pompidou Center (Paris)
From the museum label: For Natalia Goncharova and Mikhail Larionov, plastic techniques could be used to serve a spirit of revolt against the naturalistic and symbolist aesthetic heritage of the past. The new Rayonism they created focused on capturing the effects of light on objects, landscapes and beings. The dynamism of the lines, the intense expressive rhythm, the violence created by the primitive aspect of Loggers is combined with the use of deep. On the eve of the First World War, appeared a genuine community of spirit within these works, between the Russian avant-garde and german expressionism.