1945, Jean Dubuffet, Woman Grinding Coffee -- Metropolitan Museum of Art (New York)
From the museum label: Known for raw, childlike images that incorporate unconventional materials and his wry sense of humor, Dubuffet based Woman Grinding Coffee on his wife, Lily. The painting bears little resemblance to her; Dubuffet has flattened the head and broadened the body to fill the composition with her frontal figure. Her form is silhouetted against a somber background, which is actually a relief built with droppings, lumps, and furrows in a substance that Dubuffet described as "earth fermented by water." The approach exemplifies his concept of art brut (raw art), meaning art produced by nonprofessionals working outside aesthetic norms.
1945, Jean Dubuffet, Woman Grinding Coffee -- Metropolitan Museum of Art (New York)
From the museum label: Known for raw, childlike images that incorporate unconventional materials and his wry sense of humor, Dubuffet based Woman Grinding Coffee on his wife, Lily. The painting bears little resemblance to her; Dubuffet has flattened the head and broadened the body to fill the composition with her frontal figure. Her form is silhouetted against a somber background, which is actually a relief built with droppings, lumps, and furrows in a substance that Dubuffet described as "earth fermented by water." The approach exemplifies his concept of art brut (raw art), meaning art produced by nonprofessionals working outside aesthetic norms.