1911, Alexei von Jawlensky, Head of a Woman -- Fogg Art Museum (Cambridge)
From the museum label: The Russian painter Jawlensky was a key figure among the expressionist artists in Munich who formed the Blaue Reiter group in 1911. Seeking to infuse their art with spiritual feeling in a materialistic age, the expressionists employed vibrant, non-naturalistic colors, which they applied to the canvas in thick, expressive brushstrokes. Head of a Woman (BR51.267) exemplifies Jawlensky’s work from this period while reflecting his increasing preoccupation with the subject of the human face, in which he believed “the whole universe is revealed.” Painted more than a decade later, Composition No. 1, Sunrise (BR65.37) is part of his series Abstract Heads, in which the face is greatly simplified, becoming a kind of geometric template. Although the colors are still brilliant, the paint is now thinly and precisely applied. Often compared to Russian religious icons, these heads are no longer portraits but meditations on spiritual concerns, emotions, natural elements, and times of day.
1911, Alexei von Jawlensky, Head of a Woman -- Fogg Art Museum (Cambridge)
From the museum label: The Russian painter Jawlensky was a key figure among the expressionist artists in Munich who formed the Blaue Reiter group in 1911. Seeking to infuse their art with spiritual feeling in a materialistic age, the expressionists employed vibrant, non-naturalistic colors, which they applied to the canvas in thick, expressive brushstrokes. Head of a Woman (BR51.267) exemplifies Jawlensky’s work from this period while reflecting his increasing preoccupation with the subject of the human face, in which he believed “the whole universe is revealed.” Painted more than a decade later, Composition No. 1, Sunrise (BR65.37) is part of his series Abstract Heads, in which the face is greatly simplified, becoming a kind of geometric template. Although the colors are still brilliant, the paint is now thinly and precisely applied. Often compared to Russian religious icons, these heads are no longer portraits but meditations on spiritual concerns, emotions, natural elements, and times of day.