1881, Camille Pissarro, The Path to Les Pouilleux, Pontoise -- Los Angeles County Museum of Art
Camille Pissarro achieved his greatest success by capturing the ethereal effects of the outdoors, as in The Path to Les Pouilleux, Pontoise, Peasant House at Eragny (to the left), and Snowy Landscape at South Norwood (to the right). With skillful brushstrokes, which are increasingly layered in the two later paintings, Pissarro created glittering surfaces that reflect the changing qualities of the skies, foliage, and fields.
Although ethnically and politically an outsider (Pissarro, an atheist and self-described anarchist, was born to a Jewish family on the Caribbean island of St. Thomas, formerly a Danish colony), he was nevertheless a central figure in the Impressionist narrative.
1881, Camille Pissarro, The Path to Les Pouilleux, Pontoise -- Los Angeles County Museum of Art
Camille Pissarro achieved his greatest success by capturing the ethereal effects of the outdoors, as in The Path to Les Pouilleux, Pontoise, Peasant House at Eragny (to the left), and Snowy Landscape at South Norwood (to the right). With skillful brushstrokes, which are increasingly layered in the two later paintings, Pissarro created glittering surfaces that reflect the changing qualities of the skies, foliage, and fields.
Although ethnically and politically an outsider (Pissarro, an atheist and self-described anarchist, was born to a Jewish family on the Caribbean island of St. Thomas, formerly a Danish colony), he was nevertheless a central figure in the Impressionist narrative.