Seville - Church - Cathedral of Santa Maria de la Sede - Interior - Choir 02 ok
The Choir is a fundamental place in the spatial and functional conception of a Cathedral and its origin responds to a tradition linked to the Paleo-Christian basilicas, specifically in the “schola cantorum”. It is usual for the Choir to face the High Altar so that the liturgy can be followed. To this we must add that the cathedral clergy has altar and choir services as fundamental obligations, therefore, the Choir is an essential part, to the point that if there is no Choir there is no Cathedral.
The Choir is accessed through a Renaissance grille from the first half of the 16th century, completed by Francisco de Salamanca. The seats, made of different types of wood and where several authors took part, are from the beginning of the 16th century and have a magnificent sculptural and iconographic program. It should be noted that the 117 seat backs have completely different decorations, made with inlays based on Mudejar lacework. This type of Mudejar adornment in the Choir is only found in the Cathedral of Puebla in Mexico, where the influence of the Cathedral of Seville in New Spain is again evident.
In the center, a large Renaissance lectern, carved in wood, which was used to place the huge liturgical chant books. Dating from the second half of the 16th century, it was made, among others, by Juan Bautista Vázquez “the Old”, who also masterfully carved the Virgin with Child, who presides over the lectern.
Seville - Church - Cathedral of Santa Maria de la Sede - Interior - Choir 02 ok
The Choir is a fundamental place in the spatial and functional conception of a Cathedral and its origin responds to a tradition linked to the Paleo-Christian basilicas, specifically in the “schola cantorum”. It is usual for the Choir to face the High Altar so that the liturgy can be followed. To this we must add that the cathedral clergy has altar and choir services as fundamental obligations, therefore, the Choir is an essential part, to the point that if there is no Choir there is no Cathedral.
The Choir is accessed through a Renaissance grille from the first half of the 16th century, completed by Francisco de Salamanca. The seats, made of different types of wood and where several authors took part, are from the beginning of the 16th century and have a magnificent sculptural and iconographic program. It should be noted that the 117 seat backs have completely different decorations, made with inlays based on Mudejar lacework. This type of Mudejar adornment in the Choir is only found in the Cathedral of Puebla in Mexico, where the influence of the Cathedral of Seville in New Spain is again evident.
In the center, a large Renaissance lectern, carved in wood, which was used to place the huge liturgical chant books. Dating from the second half of the 16th century, it was made, among others, by Juan Bautista Vázquez “the Old”, who also masterfully carved the Virgin with Child, who presides over the lectern.