wahid Aüfi
Winged Qilin by Satoshi Kamiya, 1/5
Winged Kirin, or Qilin (有翼の麒麟). By Satoshi Kamiya (www.folders.jp/g/2018/1803.html).
A Test–fold.
With a 50 cm uncut paper square size–110 g/m² weight. It was hard to fold this model with this size & grammage proportion.
I had to tie up the folded model with thread and twine, soak it in water and air dry it during more than 24 hours, in summer –but in interiors–, to get a somewhat, midly and barely presentable form.
It's easier and more efficient to attempt it by glueing the layers of all the flaps when each series of folds is completely done. (Sorry) I did not do it.
In this test, I learned that the most difficult part to do accurately and well was that of the wings (si on veut bien plier les volets, flaps, du modèle, avec un peu plus de précision spatiale, il est nécessaire un retour en arrière, en dépliant le déjà plié (by unfoldind the already folded) : marquer les références antérieures en les extendant, avec des Pinch Marks creasing lines, the previous references already existing in the previous design architecture, structure and geometrics du modèle, of the model).
— 2 more words to say about it (encore 2 mots à en dire):
A.– Many folders around the world have folded this model wonderfully well, to perfection. They are on the web;
B.– Others have made, arduously, ardûment, or easily & extraordinarily well, some very good modifications. Let's see 2 examples of it:
1.– Reaper ("reaper_origami"), by doing the hardest seated form, doubling the number of pleats at the paper portion for the breast, and by adding some 4 or 5 pleat/crimp folds for the wing's portion of the square piece of paper (some 9/10 ones instead of the original 5; the pleats I'm speaking of are not too simple than in on a simple accordeon or box-pleating procedures to make pleats: they are the complexe pleats created by Hojyo Takashi for his non-colour-changed ribs of his Tiger, modified or complicated by Satoschi, and not with the same procedure at all of them, in one model, not only in this model, but also in some 3 other models where he used the same/differed technics, with hard closed sink folds to do, to produce, externaly, the aspect of simple pleated paper): www.instagram.com/p/B-rVw2ApU9N/?utm_source=ig_web_copy_link;
2.– Nam Son Nguyen, by doing his invented Flying Form –the author designer did'nt do it–, by adding a lot of precise pleats to the C.P. to make scales (at the external paper portions of the neck/chest and body parts or flaps of, on, for, or coming from internal, inside parts of them):
x.com/Origami_me/status/1033700608589606914. (The great Folder–Author delated the images of his fold, I don't know why.)
[... Chest/Breast; Poitrine / Poitrail ; Être Humain / Être Animal... —Ça, cela, c'est une autre histoire, de langue et de langages, épistémologiques et phénoménologiques et eidétiques traditionnels, qui ne m'intéresse pas trop ; je veux dire, ici.]
Winged Qilin by Satoshi Kamiya, 1/5
Winged Kirin, or Qilin (有翼の麒麟). By Satoshi Kamiya (www.folders.jp/g/2018/1803.html).
A Test–fold.
With a 50 cm uncut paper square size–110 g/m² weight. It was hard to fold this model with this size & grammage proportion.
I had to tie up the folded model with thread and twine, soak it in water and air dry it during more than 24 hours, in summer –but in interiors–, to get a somewhat, midly and barely presentable form.
It's easier and more efficient to attempt it by glueing the layers of all the flaps when each series of folds is completely done. (Sorry) I did not do it.
In this test, I learned that the most difficult part to do accurately and well was that of the wings (si on veut bien plier les volets, flaps, du modèle, avec un peu plus de précision spatiale, il est nécessaire un retour en arrière, en dépliant le déjà plié (by unfoldind the already folded) : marquer les références antérieures en les extendant, avec des Pinch Marks creasing lines, the previous references already existing in the previous design architecture, structure and geometrics du modèle, of the model).
— 2 more words to say about it (encore 2 mots à en dire):
A.– Many folders around the world have folded this model wonderfully well, to perfection. They are on the web;
B.– Others have made, arduously, ardûment, or easily & extraordinarily well, some very good modifications. Let's see 2 examples of it:
1.– Reaper ("reaper_origami"), by doing the hardest seated form, doubling the number of pleats at the paper portion for the breast, and by adding some 4 or 5 pleat/crimp folds for the wing's portion of the square piece of paper (some 9/10 ones instead of the original 5; the pleats I'm speaking of are not too simple than in on a simple accordeon or box-pleating procedures to make pleats: they are the complexe pleats created by Hojyo Takashi for his non-colour-changed ribs of his Tiger, modified or complicated by Satoschi, and not with the same procedure at all of them, in one model, not only in this model, but also in some 3 other models where he used the same/differed technics, with hard closed sink folds to do, to produce, externaly, the aspect of simple pleated paper): www.instagram.com/p/B-rVw2ApU9N/?utm_source=ig_web_copy_link;
2.– Nam Son Nguyen, by doing his invented Flying Form –the author designer did'nt do it–, by adding a lot of precise pleats to the C.P. to make scales (at the external paper portions of the neck/chest and body parts or flaps of, on, for, or coming from internal, inside parts of them):
x.com/Origami_me/status/1033700608589606914. (The great Folder–Author delated the images of his fold, I don't know why.)
[... Chest/Breast; Poitrine / Poitrail ; Être Humain / Être Animal... —Ça, cela, c'est une autre histoire, de langue et de langages, épistémologiques et phénoménologiques et eidétiques traditionnels, qui ne m'intéresse pas trop ; je veux dire, ici.]