jakobburaczewski
PERFORMANCE DAY_1
Untitled, 2015, Mixed Media, Performance
PERFORMANCE DAY
OPENING HELLWIGHAUS DER KÜNSTE
12 December 2015
Hellwighaus der Künste
Mainzer Str. 119 , D 66121 Saarbrücken
This project focuses on the language of the area, but this time on the acoustics. Through the acoustic flooding of the area from closed source, this performance was to speak from an isolated room, in the adjacent visitor area. The two rooms of the adjacent wall is used as a membrane and adds an incorporation of their separating function. Music, voices, knocking noises, moving a carpet sharpen the listening of the visitors, whose view can take nothing.
Whether, and if, the sounds were there to hear the impenetrable question for the visitors was the core idea. Sounds of the band mixed with feedback of hidden microphones in the hallway, and both again with live generated noise. The answer was the hard of hearing deprived, suggestive. Maybe alone the sharpness of perception of is answer enough.
The project took place in the framework of the opening of the Hellwigshaus of arts.
Image: View of the closed performance space. The visitors listen to the different sounds that I create in the room, and that spread throughout the whole house.
PERFORMANCE DAY_1
Untitled, 2015, Mixed Media, Performance
PERFORMANCE DAY
OPENING HELLWIGHAUS DER KÜNSTE
12 December 2015
Hellwighaus der Künste
Mainzer Str. 119 , D 66121 Saarbrücken
This project focuses on the language of the area, but this time on the acoustics. Through the acoustic flooding of the area from closed source, this performance was to speak from an isolated room, in the adjacent visitor area. The two rooms of the adjacent wall is used as a membrane and adds an incorporation of their separating function. Music, voices, knocking noises, moving a carpet sharpen the listening of the visitors, whose view can take nothing.
Whether, and if, the sounds were there to hear the impenetrable question for the visitors was the core idea. Sounds of the band mixed with feedback of hidden microphones in the hallway, and both again with live generated noise. The answer was the hard of hearing deprived, suggestive. Maybe alone the sharpness of perception of is answer enough.
The project took place in the framework of the opening of the Hellwigshaus of arts.
Image: View of the closed performance space. The visitors listen to the different sounds that I create in the room, and that spread throughout the whole house.