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Wien, 1. Bezirk, Stephansdom, la chiesa di Santo Stefano, la Catedral de San Esteban de Viena, La Cathédrale Saint-Étienne, St. Stephen's Cathedral, Vienna, Katedra św. Szczepana w Wiedniu (Stephansplatz)

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St. Stephen's Cathedral

Seat of the Archbishop (Cardinal) of Vienna, one of the most important buildings of the Central European High and Late Gothic, monumental example of the South-German-Austrian multi-naved church, landmark of Vienna. Characteristic is the independent lateral position of the towers, the inclusion of the romanesque western facade, the high Gothic hall choir and the mighty steep roof with colorful brick patterning.

History

1147

The first Romanesque church - from Passau founded (hence patron saint: saint Stephen Protomartyr) - is consecrated. It is located in a quarter of new settlements of merchants, which in the second half of the 12th Century was included in the city's fortifications (which is the part between Singerstraße and wool line (Wollzeile), the road to Hungary). It is located outside, to the southeast, of the oldest city area of the Roman fort, Vindobona. This building was in its dimensions already a large basilical complex, at its completion already including the floor plan of the Heath towers in the West.

1263

Re-consecration after the fire. The impacts on the Romanesque church are not precisely known. The huge gate was already previously rebuilt, when Vienna was for a short time residence of the emperor of the Holy Roman Empire. In succession, the reconstruction of the west gallery and the expansion of the western towers (Heath towers) took place. From this period stem also most of the sculptures of the giant gate, the vaults, capitals and rose windows at the west gallery.

Stephansdom64.jpg (35605 bytes)

1304 -1340

Construction of the Gothic hall choir, Albertinian choir, named after the Habsburg Albert II (1330-1358).

The citizenship of Vienna initially purchased the required properties and "as the owner of the Gothic choir in the Zwettler (city in Lower Austria) documents of 1303 and 1304 Viennese citizens are testified".

This civic foundation was then converted by a princely.

The following indulgence certificate - in the original written on parchment and provided with a hanging seal - is in a sense the main historical document of the choir consecration and thus also to the architectural history of St. Stephen of great importance.

1340

Bishop Peter of Marchapolis gives, at the request of the parishioners, all who attend at the anniversary of the consecration of the choir of St. Stephen's Church, which was accomplished on the above day in his presence by Bishop Albert of Passau, or at the feasts of the altar patrons of the church, an indulgence of 40 days.

1359

Laying of the foundation stone for further Gothic reconstruction of the nave (south and north wall), the Singertor and the Bischofstor (gate) and the two double chapels laterally to the Romanesque western building. Furthermore, the construction of overall four towers was planned. In fact, only the southern transept tower (the "saint Stephen's Tower") was first started.

1365

Those conversion measures are associated with the efforts of Duke Rudolf IV to raise Vienna to the status of a diocese, and with the founding of the University of Vienna.

1395

Consecration of the chapel of Saint Catherine ("baptistery") on the east side of the south tower.

1404

Peter of Prachatitz is Dombaumeister (cathedral builder). The citizenship by providing financial support pushes ahead the expansion of the tower.

1417 - 1430

Establishment of the lower sacristy

1433

Completion of the south tower under Hans von Prachatitz

1440 - 1459

Completion of the High Gothic nave

1450

Planning and construction of the North Tower by Hans Puchsbaum

1459

At Hüttentag of Regensburg the mason's lodge of St. Stephen's in Vienna is designated the leading main lodge in Central Europe.

1466

Extension of the upper sacristy

1469

Under Frederick III. the Diocese of Vienna is built.

1474

The Chapel of St. Barbara in the north tower is completed according to the plans of Puchsbaum. Formerly this building extension in the North Tower was called: Urbanuskapelle (chapel).

1511

Suspension of the building at the north tower. It is higher than the nave walls, but lower than the ridge height of the choir roof. As a crowning feature of the tower stump an octagonal structure was set up, which was closed with a so-called "Welsh hood" of Kaspar and Hans Saphoy 1578. The Welsh hood is a into the Gothic transmitted dome shape".

The back of the St. Stephen's Cathedral with the North Tower

1514/1519

1514/1519 at the top of saint Stephen's tower an eight-rayed sun ("Star") was fitted with a crescent moon as a symbol of spiritual and temporal power. When the Viennese in the Turkish siege (1529) throughout in the camp of their enemies saw similar symbols, they raised first objections against the "haidnisch Zaichen (heathen signs)", yet remained the "Moonlight" on the tower. Only on the occasion of the second siege (1683 ) vowed Leopold I to replace the "ungodly and unworthy Turks coat of arms" by the sign of the cross, when the city was liberated by God's assistance.

The from saint Stephen removed moon. Book illustration, 18th century

The new, of copper wrought double cross ("Spanish Cross") was made by coppersmith Hans Adam Bosch. It was one and a half meters high and had a weight of 45.5 kg. On September 14th, the Kreuzerhöhungstag (day of the elevation of the Cross) (in the same time the anniversary of the moving in of Leopold into the liberated city), it was placed under great spectacle. However, it was not flexible enough and already on 14th December it fell down due to a violent storm. On 31st October 1687 followed the setting up of a new crowning. To the Spanish Cross now the imperial double-headed eagle and the initials of Leopold I had been added. Cross and eagle had a height of 2.45 m and a weight of 67 kg.

St. Stephen's Cathedral around 1530

1640

Bishop Friedrich Count Breuner the Baroquisation of the equipment of the St. Stephen's Cathedral as a manifestation of the Counter-Reformation had started. He commissioned the brothers Jacob and Tobias Pock from Konstanz with the construction of a new high altar.

1683

Damages caused by numerous cannonballs at the second Turkish siege.

1700

Second wave of Baroquisation: Gothic winged altars and also their early Baroque successors are replaced by baroque marble altars.

1711

July 21st, 1711. In front of a large audience the k.k. Stückgießer (specialized iron caster) Johann Achamer carries out the casting of the great bell of saint Stephen. The for this purpose required metal comes from stocks of the Imperial arsenal of captured Turkish cannons. After Pölzung (supporting) of the underground vaults under the streets that touches the train, the bell weighing more than 17 tons on a special car or a loop of 100 people is brought from the Leopoldstadt on 29th October to the cathedral. On December 15th, Bishop Rummel undertakes the consecration of the bell, then it is pulled up to the south tower. There it rests on two oak beams, which for ringing can be screwed off. When Charles VI. solemnly moved into Vienna after his imperial coronation on 26th January 1712, the Pummerin was rung for the first time, in the process only the 813 kg in weight clapper was moved.

1720

The so-called catacombs are set up as a burial site.

1735

The cemetery around the church is closed down and in 1783 completely removed

Stock-im-Eisen-Platz and St. Stephen's Square before the demolition of the houses

Coloured engraving of V.C. Schütz. 1779

1803

The Steffl gets air: Demolition of houses on Stephansplatz

October. The strong increase in population leads to an increased volume of traffic. As part of "traffic-appropriate" measures streets are widened, squares enlarged, arcades created and traffic regulations introduced such as, e.g., the first one-way at the Carinthian gates (1802). With the demolition of the last still in front of the cathedral facade standing houses yet another basic expansion and redesign of the Stephansplatz can be completed.

1809

Also in the French wars the Cathedral is damaged by artillery fire.

1810

Repair work on the South Tower

1831

Renovation of the roof at the Albertinian choir

1842

On the occasion of the two renewals of the tower helmet in the 19th century respectively in 1842 and 1864, again a new double-headed eagle with a double cross was set on the spire. This last crowning of 1864 still today adorns the top of saint Stephen's tower.

1853 - 1854

Expansion of the remaining Wimperge (gables) in the roof area of which Puchsbaum under Frederick III. only one had realized.

1863 - 1864

Cathedral architect Friedrich Schmidt heads the restoration of the tower helmet.

1945

St. Stephen's Cathedral, April 1945 © Press Agency Votava St. Stephen's Cathedral, April 1945

The roof of St Stephen's Cathedral

is on fire 8th April 1945

Friday 13 April: Dombrand (cathedral's fire) in the last days of World War II. The roof burns down, the vaults of the middle choir and the southern side choir collapse. The Pummerin plunges down and breaks. The cathedral is badly damaged.

1945 - 1952

Reconstruction of the roof and choir

Triumphant entry of the new Pummerin in Vienna. The in St. Florian/Oberösterreich (Upper Austria) cast bell to Vienna had a true triumphal procession behind herself.

From the ruins of the Pummerin 1952 in St. Florian, Upper Austria, a new bell was cast and consecrated on 26th April 1952 in Vienna. The other bells of St. Stephen's Cathedral also consistently bore names as Halbpummerin, Viertelpummerin, Councillor Bell, Mentioned bell (Genanntenglocke), Zwölferin, beer bell (Bierglocke) etc. Very few of them survived the year 1945.

1953

Construction of the Bishop tomb in the catacombs under the Apostle Choir

1954 - 1965

Restoration of the South Tower

1956

Renovation of the Ducal Crypt, construction of the lower church and the lapidary (collection of stone monuments)

Completion of the tower helmet at the north tower (Saphoy'sche hood) with housing of the Pummerin

1961

In 1961 the cathedral received a new peal of eleven bells.

1973

Consecration of the People's altar (makeshift solution)

1977 - 1998

Restoration of the North Tower

1989

Remodeling of the sanctuary and the consecration of the new People's altar (September 14)

1991

Consecration of the new cathedral organ (Servants - Madonna gets here her new stand)

Overall length: 107.2 m outside inside 91.8 m

Width of the nave: 38.9 m

Height of the South tower: (High Tower) 136.7 m

Height of the North tower: 60.6 m

Height of the Heathen towers 65.6 m

www.wien-vienna.at/blickpunkte.php?ID=679

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Uploaded on February 28, 2019
Taken on February 26, 2019