New topographics
I have been asked why I shy away from that modern contrasty look in my mono images. Following Henry Wessel's practice of measuring the quality of a print, I look at it to have the 'light and shadow' which inherently existed at the time of it's making.
Henry Wessel; "Allow the light of the scene to present itself naturally", be generous with your shadows. they should be 'descriptive' open areas.
Canon sure shot WP-1
New topographics
I have been asked why I shy away from that modern contrasty look in my mono images. Following Henry Wessel's practice of measuring the quality of a print, I look at it to have the 'light and shadow' which inherently existed at the time of it's making.
Henry Wessel; "Allow the light of the scene to present itself naturally", be generous with your shadows. they should be 'descriptive' open areas.
Canon sure shot WP-1