Geometric Abstraction ~ Withered Lotus🌸幾何抽象~殘荷
The remnant lotus leaves in the pond are scattered with irregular lines and geometric shapes, creating a strong sense of abstraction, reminiscent of Abstract Expressionism and Constructivism in modern art.
The use of black and white adds a powerful simplicity to the painting, emphasizing the beauty of form. The arrangement of lines and shapes appears random, yet imbued with a certain inherent order.
The abundant white background provides ample white space, highlighting the black lines and shapes while also allowing for the viewer's imagination and creating a sense of spaciousness.
Photographed by Liu -wanching in Taiwan, Republic of China, in 2014
🌸
池塘中的殘荷，散落著許多不規則的線條和幾何圖形，營造出強烈的抽象感，讓人聯想到現代藝術中的抽象表現主義或構成主義。
黑白兩色，使得畫面更加簡潔有力，強調了形式美感，線條和形狀的排列看似隨機，卻又充滿了某種內在的秩序感°
大量的白色背景提供了充足的留白空間，不僅突顯了黑色線條和形狀，也為觀者提供了想像的餘地，營造出開闊的空間感。
劉浣青2014年攝於中華民國台灣
Geometric Abstraction ~ Withered Lotus🌸幾何抽象~殘荷
The remnant lotus leaves in the pond are scattered with irregular lines and geometric shapes, creating a strong sense of abstraction, reminiscent of Abstract Expressionism and Constructivism in modern art.
The use of black and white adds a powerful simplicity to the painting, emphasizing the beauty of form. The arrangement of lines and shapes appears random, yet imbued with a certain inherent order.
The abundant white background provides ample white space, highlighting the black lines and shapes while also allowing for the viewer's imagination and creating a sense of spaciousness.
Photographed by Liu -wanching in Taiwan, Republic of China, in 2014
🌸
池塘中的殘荷，散落著許多不規則的線條和幾何圖形，營造出強烈的抽象感，讓人聯想到現代藝術中的抽象表現主義或構成主義。
黑白兩色，使得畫面更加簡潔有力，強調了形式美感，線條和形狀的排列看似隨機，卻又充滿了某種內在的秩序感°
大量的白色背景提供了充足的留白空間，不僅突顯了黑色線條和形狀，也為觀者提供了想像的餘地，營造出開闊的空間感。
劉浣青2014年攝於中華民國台灣