NordArt25 XII | Büdelsdorf, Germany
"The End" by the Chinese artist Xiang Jing.
Xiang Jing is a profoundly introspective and innovative Chinese sculptor whose work explores the complexities of human nature, identity and existential truth.
Rather than aligning with a strictly feminist stance, she approaches her art from a
woman's perspective, using the female form as both subject and statement. Her sculptures, though realistic in appearance, carry a deep emotional and psychological weight, challenging conventions of beauty, self-awareness and gendered experience.
Her artistic process is meticulous and deeply personal. Working primarily with fiberglass, Xiang Jing layers hand-painted details onto each piece, ensuring every sculpture possesses an individual presence and emotional depth. Her practice is problem-oriented, engaging with themes such as the relationship between observer and observed, internal desire and the shifting boundaries between realism and abstraction. She is a fiercely independent thinker, constantly pushing the limits of contemporary sculpture while maintaining an introspective approach.
"The End" from Mirror Image series stands out for its ambiguity.
It features girls dressed in white, shielding their eyes with their hands yet tilting forward as if trying to peer through their fingers to catch a glimpse of something interesting. It's composition and treatment of the gaze introduce an open-ended, interpretive quality.
NordArt25 XII | Büdelsdorf, Germany
"The End" by the Chinese artist Xiang Jing.
Xiang Jing is a profoundly introspective and innovative Chinese sculptor whose work explores the complexities of human nature, identity and existential truth.
Rather than aligning with a strictly feminist stance, she approaches her art from a
woman's perspective, using the female form as both subject and statement. Her sculptures, though realistic in appearance, carry a deep emotional and psychological weight, challenging conventions of beauty, self-awareness and gendered experience.
Her artistic process is meticulous and deeply personal. Working primarily with fiberglass, Xiang Jing layers hand-painted details onto each piece, ensuring every sculpture possesses an individual presence and emotional depth. Her practice is problem-oriented, engaging with themes such as the relationship between observer and observed, internal desire and the shifting boundaries between realism and abstraction. She is a fiercely independent thinker, constantly pushing the limits of contemporary sculpture while maintaining an introspective approach.
"The End" from Mirror Image series stands out for its ambiguity.
It features girls dressed in white, shielding their eyes with their hands yet tilting forward as if trying to peer through their fingers to catch a glimpse of something interesting. It's composition and treatment of the gaze introduce an open-ended, interpretive quality.