Works by two artists

Time, Space and Existence are universal abstract principles

embodying most Work. Sincere consideration of the fundamental

elements, Time and Space, unify them as properties of physical

Existence and lend thought to further development of position and

sequences in making. Mechanics of the arrangement, as in music,

suggest exposition, development and redefinition.

sequence

Time can be measured when patterned sequences are formed. These

cycles in Time are expressed through an Existence. Material charac-

teristics of dichroics and mirroring transmit and reflect. Movements

and light undulate through the Work.

The Work is also an additive process of unit grouping and organization.

The orchestration is reflected durations of the assembled components.

Time is a quality that can be manipulated like other dimensions of

Space; Mirrored, folded and cyclically repeated. Time divisions are the

day, season, year and era.

Position

The assemblage of mirrored and dichroic acrylic units is an

interpretation of ‘Time Space Existence’ through geometric and

spatial constructs. In using basic geometric forms, translated color

and unit orientation, complexity and less inherent rhythms emerge.

It develops a landscape grounded in mathematical concepts of

symmetry operations.

orientation

Generated upon reflection about a datum line, the Work establishes a

translated reflected pattern. The construction of the units account for

change in orientation and environment.

MANIFOLD was established by Karen Lemmert and David Naill as a

collaborative practice engaged in the development of conceptual

work within the physical landscape. They believe the dialog of

material properties to systems of construction takes place within

organized fields of energy that can be utilized by alignment of

tectonic constructions with manifolds of distillations and dispersals. – MANIFOLD

 

 

PLUS

 

Walking along the coasts, on sea cliffs hit by the wind and stormy

sea. Indistinct destiny.

Sailing. Far from the banks, in the Mediterranean Sea, into the Ocean.

The vessel gets under way, leaving the noise and the artificial light of

the mainland. Its only landmark, the horizon. And then consciousness

opens, projected to infinity, sensing a possible truth that demands

form and silence.

The negative, photography, is for me the natural unconditional

response to this experience. Profile of my journey into the world, it

represents the living space, image by image, through which a

collective memory could be interpreted.

I am the witness.

The sea is the trace of human movement; the ship is the history of

research, and conquest. Trade, slaves, pirates, emigrants are

characters of this tale, a story of love and separation, of ghosts and

monsters, suddenly emerging in my vision, and disappearing

afterwards. Images of distant lands, into the dark and into the light,

enigmatic lines of the unconditional absoluteness of existence.

THRU SANDHYA is an ancient Sanskrit word, moment of transition

between day and night, symbiosis instant with the elements, thought

and reflection on the state of things.

THRU SANDHYA is a possible answer for the soul, an invitation to

re-emerge from the bottom of the sea, to find air, rhythm, breath, again.

Be there, not anywhere else, transported, in transit, transformed. And

finally understand. – Ivana Boris

Done