Amsterdam - EYE Filmmuseum
Eye Filmmuseum is a film archive, museum, and cinema in Amsterdam that preserves and presents both Dutch and foreign films screened in the Netherlands.
Location and history
Eye Filmmuseum is located in the Overhoeks neighborhood of Amsterdam in the Netherlands. Its predecessor was the Dutch Historical Film Archive, founded in 1946 by David van Staveren, Felix Halverstad, and directors of Filmtheater Kriterion Piet Meerburg and Paul Kijzer. Following the accession of the archives of the Filmtheater de Uitkijk, the archive was renamed the Netherlands Filmmuseum under the leadership of its first director, film collector Jan de Vaal. The Filmmuseum was located in Kriterion and Stedelijk Museum until 1975, when de Vaal succeeded in acquiring a discrete space for the Filmmuseum in the Vondelpark Pavilion. In 2009, Nederlands Filmmuseum merged with Holland Film, the Netherlands Institute for Film Education and the Filmbank and plans were announced for a new home on the north bank of Amsterdam's waterfront. The Filmmuseum was renamed the Eye Film Institute Netherlands and was officially opened on April 4, 2012, by Queen Beatrix.
Buildings
Eye Filmmuseum
The Eye Filmmuseum building is designed by Delugan Meissl Associated Architects, whose other projects include the Porsche Museum in Stuttgart. The building features two gallery exhibition spaces, one 300-seat cinema, two 127-seat cinemas, and a fourth intimate cinema of about 67 seats. One of the gallery spaces is devoted to a permanent exhibition on the technical and aesthetic histories of cinema. The exhibit includes historical equipment drawn from the Museum's collection of approximately 1,500 cinematic apparatuses, as well as an immersive presentation of about one hundred film clips from the Museum's archive, including Dutch and international films dating from the silent era and beyond. The second gallery space is dedicated to experimental cinema or expanded cinema, a commitment which dates back to the Filmmuseum's founding and the weekly screenings it organized at the Stedelijk Museum in the 1950s under the emerging aegis of cinema as a "seventh art."[ Past exhibitions in this space have focused on auteurs and cinematographers, as well as video artists and visual artists like Ryoji Ikeda and Anthony McCall.
Eye Collection Center
In 2016, Eye opened its new Collection Center, designed by cepezed. The collection is made up of analog, digitized, and born-digital materials which are situated beside a sound restoration and digitization studio, a digital image restoration studio, and a grading and scanning suite. The collection includes 210,000 cans of acetate film, 57,000 film titles, 2.5 petabytes of digital data, 82,000 posters, 700,000 photographs, 27,000 books, 2,000 journals, 1,500 pre-cinema and film apparatuses, 4,500 magic lantern slides, 7,000 musical scores, and 250,000 press cuttings.
The collection originally consisted of films from the Uitkijk archive, compiled by members of the Dutch Filmliga (1927–1933).[12] After joining the International Federation of Film archives (FIAF) in 1947, the Filmmuseum started to actively collect and preserve Dutch film productions. Since then, a number of significant collections have been acquired, ranging from Dutch distributors (Desmet, Centra, and UIP); filmmakers (Joris Ivens, Johan van der Keuken, and Louis van Gasteren); and producers (Matthijs van Heijningen and Kees Kasander) to institutions and organizations, such as the Netherlands Film Academy; the Netherlands Film Fund; and the Netherlands Institute for Animation Film (NIAf). The collection also includes many seminal silent film works, Hollywood classics, international arthouse productions, and independent filmmakers of international renown.
Nitrate Bunkers
Eye stores 30,000 cans of flammable nitrate film in bunkers near the coast of North Holland in Overveen, Castricum and Heemskerk. These nitrate films date between 1896 and the mid-1950s and include a unique collection of 68mm film. Two of these bunkers were built during the Second World War to protect Dutch art museum holdings from theft and destruction; Rembrandt's The Night Watch was among a few of the paintings which were stored in the Castricum bunker for part of the war.
Restorations
Recent silent film Eye restorations include the formerly lost film Beyond the Rocks (1922) starring Gloria Swanson, J'accuse! (1919) by Abel Gance, The Seashell and the Clergyman (1928) by Germain Dulac, Raskolnikov (1923) by Robert Wiene, Flower of Evil (1915) by Carmine Gallone, and Shoes (1916) by Lois Weber.
Restorations of Dutch films include Wan Pipel (1976) by Dutch-Surinamese director Pim de la Parra, Zeemansvrouwen (1930) by Henk Kleinmann, Karakter (1997) by Mike van Diem, Spetters (1980) by Paul Verhoeven, and Abel (1986) by Alex van Warmerdam.
Other restorations include Eve (1962) by Joseph Losey, M (1931) by Fritz Lang, and We Can't Go Home Again (1979) by Nicholas Ray.
Projects
Eye is performing a major film digitization and preservation project together with IBM and Thought Equity Motion, a provider of video platform and rights development services. The project involves scanning and storing more than 150 million discrete DPX files on LTO Gen5 Tape in the Linear Tape File System format.
The institute's youth platform is named MovieZone (previously MovieSquad).
Annual events
International Documentary Film Festival Amsterdam (November)
Eye International Conference (May)
(Wikipedia)
Das EYE Filmmuseum (früher Nederlands Filmmuseum) in Amsterdam ist das nationale Filmmuseum der Niederlande.
Geschichte
Das Museum wurde 1946 als Nederlands Historisch Filmarchief gegründet und besteht seit 1952 unter seinem heutigen Namen. Seit 1972 befand sich das Filmmuseum in einem Pavillon im Amsterdamer Vondelpark. Der Vondelparkpaviljoen wurde 1874 bis 1881 nach Plänen von Willem Hamer jr. im Stil der Neorenaissance errichtet.
Das Filmmuseum verfügt über etwa 46.000 Filme (davon 7 Millionen Meter Zelluloidfilm aus der ersten Hälfte des 20. Jahrhunderts), mehr als 35.000 Filmplakate und rund 450.000 Fotografien. Selbstgesetztes Ziel des Museums ist die Bewahrung des filmgeschichtlichen Erbes und ebenso die Erhaltung einer lebendigen Filmkultur in den Niederlanden. Daher handelt es sich beim Bestand vor allem um niederländische Produktionen, aber auch ausländische Filme, die in niederländischen Kinos gelaufen sind. Das Museum hat zwei Filmvorführsäle und wird jährlich von mehr als 150.000 Besuchern frequentiert. Es führt auch Restaurierungen durch. Der Institution angeschlossen ist die größte niederländische Bibliothek für Filmliteratur. Im Keller des Museums ist ein Café-Restaurant untergebracht. 1991 wurde das Gebäude umfassend renoviert.
Am 5. April 2012 zog das Amsterdamer Filmmuseum in einen Neubau auf das Overhoeks genannte, ehemals dem niederländischen Ölkonzerns Shell gehörende Gelände am Nordufer der IJ, zu Füßen des Shell-Towers, um. Als Sieger aus dem ausgeschriebenen internationalen Gestaltungswettbewerb ging 2005 der Entwurf des österreichischen Architekturbüros Delugan Meissl Associated Architects hervor. Nach dem Umzug trägt das Museum den Namen EYE. Filmmuseum.
(Wikipedia)
Amsterdam - EYE Filmmuseum
Eye Filmmuseum is a film archive, museum, and cinema in Amsterdam that preserves and presents both Dutch and foreign films screened in the Netherlands.
Location and history
Eye Filmmuseum is located in the Overhoeks neighborhood of Amsterdam in the Netherlands. Its predecessor was the Dutch Historical Film Archive, founded in 1946 by David van Staveren, Felix Halverstad, and directors of Filmtheater Kriterion Piet Meerburg and Paul Kijzer. Following the accession of the archives of the Filmtheater de Uitkijk, the archive was renamed the Netherlands Filmmuseum under the leadership of its first director, film collector Jan de Vaal. The Filmmuseum was located in Kriterion and Stedelijk Museum until 1975, when de Vaal succeeded in acquiring a discrete space for the Filmmuseum in the Vondelpark Pavilion. In 2009, Nederlands Filmmuseum merged with Holland Film, the Netherlands Institute for Film Education and the Filmbank and plans were announced for a new home on the north bank of Amsterdam's waterfront. The Filmmuseum was renamed the Eye Film Institute Netherlands and was officially opened on April 4, 2012, by Queen Beatrix.
Buildings
Eye Filmmuseum
The Eye Filmmuseum building is designed by Delugan Meissl Associated Architects, whose other projects include the Porsche Museum in Stuttgart. The building features two gallery exhibition spaces, one 300-seat cinema, two 127-seat cinemas, and a fourth intimate cinema of about 67 seats. One of the gallery spaces is devoted to a permanent exhibition on the technical and aesthetic histories of cinema. The exhibit includes historical equipment drawn from the Museum's collection of approximately 1,500 cinematic apparatuses, as well as an immersive presentation of about one hundred film clips from the Museum's archive, including Dutch and international films dating from the silent era and beyond. The second gallery space is dedicated to experimental cinema or expanded cinema, a commitment which dates back to the Filmmuseum's founding and the weekly screenings it organized at the Stedelijk Museum in the 1950s under the emerging aegis of cinema as a "seventh art."[ Past exhibitions in this space have focused on auteurs and cinematographers, as well as video artists and visual artists like Ryoji Ikeda and Anthony McCall.
Eye Collection Center
In 2016, Eye opened its new Collection Center, designed by cepezed. The collection is made up of analog, digitized, and born-digital materials which are situated beside a sound restoration and digitization studio, a digital image restoration studio, and a grading and scanning suite. The collection includes 210,000 cans of acetate film, 57,000 film titles, 2.5 petabytes of digital data, 82,000 posters, 700,000 photographs, 27,000 books, 2,000 journals, 1,500 pre-cinema and film apparatuses, 4,500 magic lantern slides, 7,000 musical scores, and 250,000 press cuttings.
The collection originally consisted of films from the Uitkijk archive, compiled by members of the Dutch Filmliga (1927–1933).[12] After joining the International Federation of Film archives (FIAF) in 1947, the Filmmuseum started to actively collect and preserve Dutch film productions. Since then, a number of significant collections have been acquired, ranging from Dutch distributors (Desmet, Centra, and UIP); filmmakers (Joris Ivens, Johan van der Keuken, and Louis van Gasteren); and producers (Matthijs van Heijningen and Kees Kasander) to institutions and organizations, such as the Netherlands Film Academy; the Netherlands Film Fund; and the Netherlands Institute for Animation Film (NIAf). The collection also includes many seminal silent film works, Hollywood classics, international arthouse productions, and independent filmmakers of international renown.
Nitrate Bunkers
Eye stores 30,000 cans of flammable nitrate film in bunkers near the coast of North Holland in Overveen, Castricum and Heemskerk. These nitrate films date between 1896 and the mid-1950s and include a unique collection of 68mm film. Two of these bunkers were built during the Second World War to protect Dutch art museum holdings from theft and destruction; Rembrandt's The Night Watch was among a few of the paintings which were stored in the Castricum bunker for part of the war.
Restorations
Recent silent film Eye restorations include the formerly lost film Beyond the Rocks (1922) starring Gloria Swanson, J'accuse! (1919) by Abel Gance, The Seashell and the Clergyman (1928) by Germain Dulac, Raskolnikov (1923) by Robert Wiene, Flower of Evil (1915) by Carmine Gallone, and Shoes (1916) by Lois Weber.
Restorations of Dutch films include Wan Pipel (1976) by Dutch-Surinamese director Pim de la Parra, Zeemansvrouwen (1930) by Henk Kleinmann, Karakter (1997) by Mike van Diem, Spetters (1980) by Paul Verhoeven, and Abel (1986) by Alex van Warmerdam.
Other restorations include Eve (1962) by Joseph Losey, M (1931) by Fritz Lang, and We Can't Go Home Again (1979) by Nicholas Ray.
Projects
Eye is performing a major film digitization and preservation project together with IBM and Thought Equity Motion, a provider of video platform and rights development services. The project involves scanning and storing more than 150 million discrete DPX files on LTO Gen5 Tape in the Linear Tape File System format.
The institute's youth platform is named MovieZone (previously MovieSquad).
Annual events
International Documentary Film Festival Amsterdam (November)
Eye International Conference (May)
(Wikipedia)
Das EYE Filmmuseum (früher Nederlands Filmmuseum) in Amsterdam ist das nationale Filmmuseum der Niederlande.
Geschichte
Das Museum wurde 1946 als Nederlands Historisch Filmarchief gegründet und besteht seit 1952 unter seinem heutigen Namen. Seit 1972 befand sich das Filmmuseum in einem Pavillon im Amsterdamer Vondelpark. Der Vondelparkpaviljoen wurde 1874 bis 1881 nach Plänen von Willem Hamer jr. im Stil der Neorenaissance errichtet.
Das Filmmuseum verfügt über etwa 46.000 Filme (davon 7 Millionen Meter Zelluloidfilm aus der ersten Hälfte des 20. Jahrhunderts), mehr als 35.000 Filmplakate und rund 450.000 Fotografien. Selbstgesetztes Ziel des Museums ist die Bewahrung des filmgeschichtlichen Erbes und ebenso die Erhaltung einer lebendigen Filmkultur in den Niederlanden. Daher handelt es sich beim Bestand vor allem um niederländische Produktionen, aber auch ausländische Filme, die in niederländischen Kinos gelaufen sind. Das Museum hat zwei Filmvorführsäle und wird jährlich von mehr als 150.000 Besuchern frequentiert. Es führt auch Restaurierungen durch. Der Institution angeschlossen ist die größte niederländische Bibliothek für Filmliteratur. Im Keller des Museums ist ein Café-Restaurant untergebracht. 1991 wurde das Gebäude umfassend renoviert.
Am 5. April 2012 zog das Amsterdamer Filmmuseum in einen Neubau auf das Overhoeks genannte, ehemals dem niederländischen Ölkonzerns Shell gehörende Gelände am Nordufer der IJ, zu Füßen des Shell-Towers, um. Als Sieger aus dem ausgeschriebenen internationalen Gestaltungswettbewerb ging 2005 der Entwurf des österreichischen Architekturbüros Delugan Meissl Associated Architects hervor. Nach dem Umzug trägt das Museum den Namen EYE. Filmmuseum.
(Wikipedia)