London - Tate Modern

seen from Walkie-Talkie (20 Fenchurch Street)

 

gesehen vom Walkie-Talkie (20 Fenchurch Street)

 

Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international modern and contemporary art, defined as from after 1900, and forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives. It is located in the former Bankside Power Station, in the Bankside area of the London Borough of Southwark.

 

Tate Modern is one of the largest museums of modern and contemporary art in the world. As with the UK's other national galleries and museums, there is no admission charge for access to the collection displays, which take up the majority of the gallery space, whereas tickets must be purchased for the major temporary exhibitions.

 

Due to the COVID-19 pandemic the museum was closed for 173 days in 2020, and attendance plunged by 77 per cent to 1,432,991. However, it recovered strongly in 2022, with 3,883,160 visitors, making it the third most visited in Britain and the fourth-most visited art museum in the world.

 

The nearest railway and London Underground station is Blackfriars, which is 550 yards (0.5 km) from the gallery.

 

History

 

Bankside Power Station

 

After sharing the Millbank site with Tate Britain for many decades, since 2000 Tate Modern has occupied the converted former Bankside Power Station. This was originally designed by Sir Giles Gilbert Scott, the architect of Battersea Power Station, and built in two stages between 1947 and 1963. It is directly across the river from St Paul's Cathedral. The power station closed in 1981.

 

Prior to redevelopment, the power station was a 200 m (660 ft) long, steel framed, brick clad building with a substantial central chimney standing 99 m (325 ft). The structure was roughly divided into three main areas each running east–west – the huge main Turbine Hall in the centre, with the boiler house to the north and the switch house to the south.

 

Initial redevelopment

 

For many years after closure Bankside Power station was at risk of being demolished by developers. Many people campaigned for the building to be saved and put forward suggestions for possible new uses. An application to list the building was refused. In April 1994 the Tate Gallery announced that Bankside would be the home for the new Tate Modern. In July of the same year, an international competition was launched to select an architect for the new gallery. Jacques Herzog and Pierre de Meuron of Herzog & de Meuron were announced as the winning architects in January 1995. The £134 million conversion to the Tate Modern started in June 1995 and completed in January 2000.

 

The most obvious external change was the two-story glass extension on one half of the roof. Much of the original internal structure remained, including the cavernous main turbine hall, which retained the overhead travelling crane. An electrical substation, taking up the Switch House in the southern third of the building, remained on-site and owned by the French power company EDF Energy while Tate took over the northern Boiler House for Tate Modern's main exhibition spaces.

 

The history of the site as well as information about the conversion was the basis for a 2008 documentary Architects Herzog and de Meuron: Alchemy of Building & Tate Modern. The conversion work was carried out by Carillion.

 

Opening and initial reception

 

Tate Modern was opened by the Queen on 11 May 2000.

 

Tate Modern received 5.25 million visitors in its first year. The previous year the three existing Tate galleries had received 2.5 million visitors combined.

 

Extension project

 

Tate Modern had attracted more visitors than originally expected and plans to expand it had been in preparation since 2004. These plans focused on the south west of the building with the intention of providing 5,000 m2 of new display space, almost doubling the amount of display space.

 

The southern third of the building was retained by the French State owned power company EDF Energy as an electrical substation. In 2006, the company released the western half of this holding and plans were made to replace the structure with a tower extension to the museum, initially planned to be completed in 2015. The tower was to be built over the old oil storage tanks, which would be converted to a performance art space. Structural, geotechnical, civil, and façade engineering and environmental consultancy was undertaken by Ramboll between 2008 and 2016.

 

This project was initially costed at £215 million. Of the money raised, £50 million came from the UK government; £7 million from the London Development Agency; £6 million from philanthropist John Studzinski; and donations from, among others, the Sultanate of Oman and Elisabeth Murdoch.

 

In June 2013, international shipping and property magnate Eyal Ofer pledged £10m to the extension project, making it to 85% of the required funds. Eyal Ofer, chairman of London-based Zodiac Maritime Agencies, said the donation made through his family foundation would enable "an iconic institution to enhance the experience and accessibility of contemporary art".[15] The Tate director, Nicholas Serota, praised the donation saying it would help to make Tate Modern a "truly twenty-first-century museum".

 

The Tanks

 

The first phase of the expansion involved the conversion of three large, circular, underground oil tanks originally used by the power station into accessible display spaces and facilities areas. These opened on 18 July 2012 and closed on 28 October 2012[8] as work on the tower building continued directly above. They reopened following the completion of the Switch House extension in June 2016.

 

Two of the Tanks are used to show live performance art and installations while the third provides utility space. Tate describes them as "the world's first museum galleries permanently dedicated to live art".

 

The Switch House

 

A ten-storey tower, 65 m (213 ft) high from ground level, was built above the oil tanks.

 

The original western half of the Switch House was demolished to make room for the tower and then rebuilt around it with large gallery spaces and access routes between the main building and the new tower on level 1 (ground level) and level 4. The new galleries on level 4 have natural top lighting. A bridge built across the turbine hall on level 4 provides an upper access route.

 

The new building opened to the public on 17 June 2016.

 

The design, again by Herzog & de Meuron, has been controversial. It was originally designed with a glass stepped pyramid, but this was amended to incorporate a sloping façade in brick latticework (to match the original power-station building) despite planning consent to the original design having been previously granted by the supervising authority.

 

The extension provides 22,492 m2 (242,100 sq ft) of additional gross internal area for display and exhibition spaces, performance spaces, education facilities, offices, catering and retail facilities as well as a car parking and a new external public space.

 

In May 2017, the Switch House was formally renamed the Blavatnik Building, after Anglo-Ukrainian billionaire Sir Leonard Blavatnik, who contributed a "substantial" amount of the £260m cost of the extension. Sir Nicholas Serota commented, "Len Blavatnik's enthusiastic support ensured the successful realisation of the project and I am delighted that the new building now bears his name".

 

Galleries

 

The collections in Tate Modern consist of works of international modern and contemporary art dating from 1900 until today.

 

Levels 2, 3 and 4 contain gallery space. Each of those floors is split into a large east and west wing with at least 11 rooms in each. Space between these wings is also used for smaller galleries on levels 2 and 4. The Boiler House shows art from 1900 to the present day.

 

The Switch House has eleven floors, numbered 0 to 10. Levels 0, 2, 3 and 4 contain gallery space. Level 0 consists of the Tanks, spaces converted from the power station's original fuel oil tanks, while all other levels are housed in the tower extension building constructed above them. The Switch House shows art from 1960 to the present day.

 

The Turbine Hall is a single large space running the whole length of the building between the Boiler House and the Switch House. At six storeys tall it represents the full height of the original power station building. It is cut by bridges between the Boiler House and the Switch House on levels 1 and 4 but the space is otherwise undivided. The western end consists of a gentle ramp down from the entrance and provides access to both sides on level 0. The eastern end provides a very large space that can be used to show exceptionally large artworks due its unusual height.

 

Exhibitions

 

Collection exhibitions

 

The main collection displays consist of 8 areas with a named theme or subject. Within each area there are some rooms that change periodically showing different works in keeping with the overall theme or subject. The themes are changed less frequently. There is no admission charge for these areas.

 

As of June 2016 the themed areas were:

 

Start Display: A three-room display of works by major artists to introduce the basic ideas of modern art.

Artist and Society

In The Studio

Materials and Objects

Media Networks

Between Object and Architecture

Performer and Participant

Living Cities

 

There is also an area dedicated to displaying works from the Artist Rooms collection.

 

History of the collection exhibitions

 

Since the Tate Modern first opened in 2000, the collections have not been displayed in chronological order but have been arranged thematically into broad groups. Prior to the opening of the Switch House there were four of these groupings at a time, each allocated a wing on levels 3 and 5 (now levels 2 and 4).

 

The initial hanging from 2000 to 2006:

 

History/Memory/Society

Nude/Action/Body

Landscape/Matter/Environment

Still Life/Object/Real Life

 

The first rehang at Tate Modern opened in May 2006. It eschewed the thematic groupings in favour of focusing on pivotal moments of twentieth-century art. It also introduced spaces for shorter exhibitions in between the wings. The layout was:

 

Material Gestures

Poetry and Dream

Energy and Process

States of Flux

In 2012, there was a partial third rehang. The arrangement was:

 

Poetry and Dream

Structure and Clarity

Transformed Visions

Energy and Process

Setting the Scene – A smaller section, located between wings, covering installations with theatrical or fictional themes.

 

Temporary exhibitions

 

The Turbine Hall

 

The Turbine hall, which once housed the electricity generators of the old power station, is five storeys tall with 3,400 square metres of floorspace. It is used to display large specially-commissioned works by contemporary artists, between October and March each year.

 

From 2000 until 2012, the series was named after its corporate sponsor, Unilever. In this time the company provided £4.4m sponsorship in total including a renewal deal of £2.2m for a period of five years agreed in 2008. This series was planned to last the gallery's first five years, but the popularity of the series led to its extension until 2012.

 

In 2013, Tate Modern signed a sponsorship deal worth around £5 million with Hyundai to cover a ten-year program of commissions, then considered the largest amount of money ever provided to an individual gallery or museum in the United Kingdom. The first commission for the Hyundai series is Mexican artist, Abraham Cruzvillegas.

 

When there is no series running, the Turbine Hall is used for occasional events and exhibitions. In 2011 it was used to display Damien Hirst's For The Love of God. A sell-out show by Kraftwerk in February 2013 crashed the ticket hotline and website, causing a backlash from the band's fans. In 2018 the Turbine Hall was used for two performances of Messiaen's Et exspecto resurrectionem mortuorum and Stockhausen's Gruppen.

 

Major temporary exhibitions

 

Two wings of the Boiler House are used to stage the major temporary exhibitions for which an entry fee is charged. These exhibitions normally run for three or four months. When they were located on a single floor, the two exhibition areas could be combined to host a single exhibition. This was done for the Gilbert and George retrospective due to the size and number of the works.

 

A 2014 show of Henri Matisse provided Tate Modern with London's best-attended charging exhibition, and with a record 562,622 visitors overall, helped by a nearly five-month-long run.[56] In 2018, Joan Jonas had a retrospective exhibition.

 

A Year in Art: Australia 1992, featuring contemporary Indigenous Australian art of 1992, which opened in June 2021, was extended until September 2022 owing to its popularity.

 

The Tanks

 

The Tanks, located on level 0, are three large underground oil tanks, connecting spaces and side rooms originally used by the power station and refurbished for use by the gallery. One tank is used to display installation and video art specially commissioned for the space while smaller areas are used to show installation and video art from the collection. The Tanks have also been used as a venue for live music.

 

Project Space

 

The Project Space (formerly known as the Level 2 Gallery) was a smaller gallery located on the north side of the Boiler House on level 1 which housed exhibitions of contemporary art in collaboration with other international art organisations. Its exhibitions typically ran for 2–3 months and then travelled to the collaborating institution for display there. The space was only accessible by leaving the building and re-entering using a dedicated entrance. It is no longer used as gallery space.

 

Other areas

 

Works are also sometimes shown in the restaurants and members' rooms. Other locations that have been used in the past include the mezzanine on Level 1 and the north facing exterior of the Boiler House building.

 

Other facilities

 

In addition to exhibition space there are a number of other facilities:

 

A large performance space in one of the tanks on level 0 used to show a changing programme of performance works for which there is sometimes an entrance charge.

The Starr Auditorium and a seminar room on level 1 which are used to show films and host events for which there is usually an entrance charge.

The Clore Education Centre, Clore Information Room and McAulay Studios on level 0 which are facilities for use by visiting educational institutions.

One large and several small shops selling books, prints and merchandise.

A cafe, an espresso bar, a restaurant and bar and a members' room.

Tate Modern community garden, co-managed with Bankside Open Spaces Trust

 

Access and environs

 

The closest station is Blackfriars via its new south entrance. Other nearby stations include Southwark, as well as St Paul's and Mansion House north of the river which can be reached via the Millennium Bridge. The lampposts between Southwark tube station and Tate Modern are painted orange to show pedestrian visitors the route.

 

There is also a riverboat pier just outside the gallery called Bankside Pier, with connections to the Docklands and Greenwich via regular passenger boat services (commuter service) and the Tate to Tate service, which connects Tate Modern with Tate Britain.

 

To the west of Tate Modern is an area currently under redevelopment following the demolitions of Ludgate House, the former headquarters of Express Newspapers and Sampson House, a massive late Brutalist office building.

 

Directors

 

The following have served as Director of the Tate Modern:

 

Lars Nittve (1998–2001)

Vicente Todolí (2003–2010)

Chris Dercon (2010–2016)

Frances Morris (2016–2023)

Karin Hindsbo (2023–Present)

 

Protests

 

Since 2010 there have been a series of protest art performances by the art collective Liberate Tate demanding the Tate to "disengage from BP as a sponsor, and stop allowing Tate to be used to deflect attention away from the devastating impacts that BP has around the world." BP is criticised for operations in relation with petroleum exploration in the Arctic, the Deepwater Horizon oil spill, oil sands and climate change. In June 2015 a group of artists occupied Tate Modern for 25 hours.

 

(Wikipedia)

 

Die Tate Gallery of Modern Art (kurz Tate Modern genannt) in London ist eines der weltweit größten Museen für moderne Kunst und zeitgenössische Kunst. Es hat seinen Sitz in einem umgebauten Kraftwerk, der früheren Bankside Power Station, am südlichen Themseufer im Stadtteil Southwark.

 

Geschichte

 

Im Jahr 1916 übertrug man der Tate Gallery die Aufgabe, eine Sammlung internationaler Malerei und Plastik ab 1900 zu erstellen. Da sich die Sammlung enorm vergrößerte und auch an Beliebtheit gewonnen hatte, wurde der Standort in Millbank schließlich zu klein. Zweigstellen eröffneten 1987 in Liverpool und 1993 in St Ives in Cornwall. Seit der Eröffnung am 11. Mai 2000 residiert die Hauptsammlung in der ehemaligen Bankside Power Station, die ursprünglich von Giles Gilbert Scott entworfen wurde.[1] Unter den 148 Entwürfen für den Umbau dieses Kraftwerks zum Museum setzte sich der des Schweizer Architekturbüros Herzog & de Meuron durch. Durch die im gleichen Jahr eröffnete Fußgängerbrücke Millennium Bridge, der erste Brückenneubau im Herzen von London seit 1894, wurde eine direkte Verbindung zwischen St Paul’s Cathedral und dem Museum geschaffen. Im Mai 2003 wurde der „tate to Tate“-Bootsservice mit Stopp am London Eye eingerichtet.

 

Entwicklung

 

Das Museum war ursprünglich für 1,8 Millionen Besucher pro Jahr konzipiert, doch im Jahr 2012 lag die Besucheranzahl bereits bei 5,3 Millionen per anno. 2019 wurde die Tate Modern von rund 6,10 Millionen Personen besucht. 2022 betrug die Besucherzahl etwa 3,88 Millionen Menschen.

 

Geplant war zunächst, bis 2012 – rechtzeitig zu den Olympischen Sommerspielen in London – die Ausstellungsfläche um 60 % zu erweitern. Mit den zusätzlichen 23.000 Quadratmetern sollte das Museum eine vergleichbare Größe wie das Centre Georges Pompidou in Paris erreichen. Die Finanzierung (mehr als 240 Millionen €) des Anbaus sollte sowohl aus privaten als auch aus öffentlichen Mitteln erfolgen. Der Anbau des Museums, der auf der Südseite des Hauptgebäudes errichtet wurde, war zunächst als Glaspyramide geplant. Dieser Entwurf wurde jedoch verworfen und durch einen futuristischen Backsteinbau ersetzt. Beide Entwürfe stammten wieder vom Architekturbüro Herzog & de Meuron. 2010 sollten die Bauarbeiten beginnen, aber das Fundraising war bis dahin nicht von genügend Erfolg gekrönt. Im April 2011 trat Chris Dercon sein Amt als neuer Direktor der Tate an. Im September 2011 teilte Dercon mit, dass mit dem Bau der Backsteinpyramide spätestens 2016 begonnen werde. Die stillgelegten Öltanks des ehemaligen Kraftwerks werden jedoch bis dahin als Projektionsflächen für Filme und für Installationen zur Nutzung herangezogen werden. Der Konzern Unilever, der sich mit insgesamt 4,4 Mio. britischen Pfund am Sponsoring für die Tate Modern beteiligt hatte und von 2000 bis 2012 für die Finanzierung von zirka jährlich wechselnden Installationen in der Turbinenhalle aufkam, teilte im August 2012 mit, das Sponsoring einzustellen, man bleibe allerdings Mitglied der Gesellschaft als Unternehmen. Seit 2015 wird die Serie in der Turbinenhalle durch einen neuen Sponsor fortgesetzt. Die Eröffnung des Erweiterungsbaus fand am 17. Juni 2016 statt.

 

Parallel trat Frances Morris ihr Amt als neue Direktorin des Hauses an.

 

Sammlung

 

Die Tate Modern präsentiert Werke der bedeutendsten und einflussreichsten Künstler der klassischen Moderne und der Gegenwart. Beginnend mit Werken von Vincent van Gogh, Paul Cézanne, Paul Gauguin und Henri de Toulouse-Lautrec werden die Stilrichtungen der Epoche gezeigt: Impressionismus, Kubismus, Fauvismus, Futurismus, Expressionismus, Dadaismus und Surrealismus sowie Pop Art, Minimal Art und Konzeptkunst. Das Museum zeigt nicht nur Werke der Protagonisten der klassischen Moderne u. a. von Pablo Picasso, Georges Braque, Henri Matisse, Piet Mondrian, Marcel Duchamp, Salvador Dalí und Andy Warhol, sondern auch avantgardistische Richtungen wie die des Wiener Aktionismus oder Werke von Joseph Beuys und einen Schwerpunkt auf amerikanischer Gegenwartskunst (Jackson Pollock, Cy Twombly, Mark Rothko, Ed Ruscha).

 

Präsentation

 

Die Dauerausstellung ist in vier Bereiche gegliedert, die nicht kunstgeschichtlichen Epochen folgen, sondern Objekte aus verschiedenen Epochen unter Überschriften anordnen. Bei der Eröffnung 2000 waren das Landschaft, Stillleben, Historienmalerei und Akt. Seit der Neugestaltung 2006 sind diese Bereiche States of Flux (Aufbruchstimmung), Idea and Object (Idee und Objekt), Poetry and Dream (Dichtung und Traum) und Matter and Gestures (Materie und Gesten). Daneben gibt es große Sonderausstellungen und große Einzelobjekte in der ehemaligen Turbinenhalle, der heutigen Eingangshalle.

 

Sonderausstellungen

 

Ausstellungsräume (Auszug):

 

2016: Georgia O’Keeffe. Katalog.[13]

2017: Wolfgang Tillmans.

2017: Alberto Giacometti.

2017/18: Amedeo Modigliani.

2017/18: Red Star Over Russia.

Turbinenhalle (Auszug):

 

2021/22: Anicka Yi. In love with the world.

 

Performances gegen Sponsoring durch BP

 

Seit 2010 führte das Künstlerkollektiv Liberate Tate insgesamt 14 Performances gegen das Sponsoring von BP durch. Im Juni 2015 wurde die Galerie für eine Nacht besetzt. BP sponsert die Tate Modern werbewirksam mit jährlich 224.000 Pfund. Die Initiatoren der Aktion verweisen auf den Klimawandel, die Beteiligung des Unternehmens an der Förderung von Ölsand in Kanada, die Ölpest im Golf von Mexiko 2010 und Ölbohrungen in der Arktis. BP verursache mehr CO2-Emissionen als Großbritannien insgesamt.

 

(Wikipedia)

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