f250clocker
Ceramic Vase Trichrome
Taken On An Asahi Pentax Original Using LegacyPro 100 Black And White Film.
Developed in Kodak HC-110 Dilution B at 4.5 minutes, agitation 4 times for first 10 seconds additional agitation 4 times first 30 seconds of each minute thereafter.
This is from a 36 exposure roll and the film recieved damage both inside and out of the camera. I will use only 24 exposure rolls in this camera from now on, seeing as it was probably designed for 20 shot rolls.
The green at the lower left is from a static spark when taken out of the canister to be loaded on a developing reel and the streaks are from the camera's shutter screen.
This was taken inexisting light with average room incandescent lamps at f2.8 at about 1/50 of a second shutter speed, at least I think it was.
So much went wrong with this roll of film including camera scrapes, static sparks, the film roll dropping on the floor in a makeshift darkroom, premlinary rinse water spot damage ( I had something else very important to attend to during the development process) and dust that was impossible to deal with because of the film dropping.
Too bad.
This would have been a great trichrome otherwise.
Ceramic Vase Trichrome
Taken On An Asahi Pentax Original Using LegacyPro 100 Black And White Film.
Developed in Kodak HC-110 Dilution B at 4.5 minutes, agitation 4 times for first 10 seconds additional agitation 4 times first 30 seconds of each minute thereafter.
This is from a 36 exposure roll and the film recieved damage both inside and out of the camera. I will use only 24 exposure rolls in this camera from now on, seeing as it was probably designed for 20 shot rolls.
The green at the lower left is from a static spark when taken out of the canister to be loaded on a developing reel and the streaks are from the camera's shutter screen.
This was taken inexisting light with average room incandescent lamps at f2.8 at about 1/50 of a second shutter speed, at least I think it was.
So much went wrong with this roll of film including camera scrapes, static sparks, the film roll dropping on the floor in a makeshift darkroom, premlinary rinse water spot damage ( I had something else very important to attend to during the development process) and dust that was impossible to deal with because of the film dropping.
Too bad.
This would have been a great trichrome otherwise.