mikeyatswb
Ocean Drive in IR
Newport, Rhode Island
Ocean Drive, which hugs the southern shore of Newport, Rhode Island, is home to some spectacular real estate, as shown here in faux color infrared. The drive's eastern end terminates on Bellevue Avenue, home to The Breakers and other not too shabby Gilded Age mansions. Taken with a 590nm IR conversion by LifePixel, and a tilt-shift lens shifted down about halfway.
Filters: LEE 15-stop ProGlass IRND (see note).
Note: I recently upgraded my LEE Little/Big/Super Stoppers (6/10/15-stop NDs, respectively) with their ProGlass IRND equivalents. This was my first go with them. Huge difference. I've been very happy with the LEE Stoppers, but they do have a cool cast (fixable in post), and their stop designations are not necessarily precise (e.g., my Big Stopper is more like 11-stops than 10-stops). The ProGlass IRND filters solve these two problems. More importantly in this case, they also have a flat response across the IR spectrum, whereas my Stoppers did not, which made their use for IR photography tricky. Here, I found the 15-stop to be spot-on.
Ocean Drive in IR
Newport, Rhode Island
Ocean Drive, which hugs the southern shore of Newport, Rhode Island, is home to some spectacular real estate, as shown here in faux color infrared. The drive's eastern end terminates on Bellevue Avenue, home to The Breakers and other not too shabby Gilded Age mansions. Taken with a 590nm IR conversion by LifePixel, and a tilt-shift lens shifted down about halfway.
Filters: LEE 15-stop ProGlass IRND (see note).
Note: I recently upgraded my LEE Little/Big/Super Stoppers (6/10/15-stop NDs, respectively) with their ProGlass IRND equivalents. This was my first go with them. Huge difference. I've been very happy with the LEE Stoppers, but they do have a cool cast (fixable in post), and their stop designations are not necessarily precise (e.g., my Big Stopper is more like 11-stops than 10-stops). The ProGlass IRND filters solve these two problems. More importantly in this case, they also have a flat response across the IR spectrum, whereas my Stoppers did not, which made their use for IR photography tricky. Here, I found the 15-stop to be spot-on.