Vasco Trancoso
Enigma
In Photography the image is never fixed, it is never simply decorative: it oscillates, resists, travels and sometimes disturbs - and that is precisely where it becomes interesting.
The photographer does not just seek immediate beauty or technical perfection; instead, it tracks a tiny flaw through which reality is undone, transformed, transcended. A strange shadow, a displaced look, a gesture, a palpable silence.
Photographic practice is based on a tension between spontaneity and construction, between chance and thought. Images that don’t just make you see, but make you think. Form and content connecting elements that were unrelated from the beginning – creating an alternative reality.
The photograph does not explain. It raises questions, awakens sensations, emotions, memories. It does not just seek to seduce, but to establish a dialogue – sometimes uncomfortable – between the viewer and the soul of the photographer who is within the frame.
Local: Foz do Arelho beach. Portugal.
Enigma
In Photography the image is never fixed, it is never simply decorative: it oscillates, resists, travels and sometimes disturbs - and that is precisely where it becomes interesting.
The photographer does not just seek immediate beauty or technical perfection; instead, it tracks a tiny flaw through which reality is undone, transformed, transcended. A strange shadow, a displaced look, a gesture, a palpable silence.
Photographic practice is based on a tension between spontaneity and construction, between chance and thought. Images that don’t just make you see, but make you think. Form and content connecting elements that were unrelated from the beginning – creating an alternative reality.
The photograph does not explain. It raises questions, awakens sensations, emotions, memories. It does not just seek to seduce, but to establish a dialogue – sometimes uncomfortable – between the viewer and the soul of the photographer who is within the frame.
Local: Foz do Arelho beach. Portugal.