Jim 592 says:
Schürch's wildlife photography is amazing; the definition is perfect; the bird is looking at the camera; the wooded environment is appropriate; the composition just right with the horizontal bar of the branch in the foreground contrasting with the vertical strokes of the background trees. The out-of-focus bokeh of the background adds to the clarity of the subject.
Jim 592 says:
The multitude of exquisite, pin-sharp wildlife images of Mathurin Malby just has to be seen to be believed. Malby is also an artist who knows how to create great compositions, not merely placing the subject somewhere in the middle of the frame. He works with a 600mm fixed focal-length lens which must weighty to carry far.
Jim 592 says:
This is not just another brilliant nature photo -- it is an incredible freezing of what must have been very fast-moving action, yet at the same time the depth of field is so good. The clearly seen snowdrops only emphasise the battle for survival in nature that is even more acute in severe weather.
Jim 592 says:
There are so many superb bird photos around these days that it is a considerable achievement to be ahead of the rest. This image accomplishes that. First it shows what must be rarely observed behaviour in the wild, secondly it does so with perfect technical skill -- great detail, good depth of field, excellent composition
Jim 592 says:
The temptation in photography is naturally to try and include the whole subject within the frame. But a snake is usually seen 'long and thin'. Rearranging the subject so that it is coiled is usually not an option, not to day dangerous. So Alison Boardman has gone for a head shot. That baleful eye has tremendous impact as do the contrasting colours, far more visible close to.
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