Figure and Translation
Print of the translation (1789)
Bologna, paper
Early Italian collections were studied by Danish antiquarian and coin specialist Georg Zoëga (1755–1809). Zoëga became the leading Egyptologist of his generation and was almost successful in decipherment. He rejected the view that hieroglyphs concerned occult sciences and magical rites, reading many inscriptions instead as praise of kings and gods. His early copy of the hieroglyphs on this statue is the only evidence of its now lost inscription.
Bes (747–332 BC)
Egypt, wood
This magical sculpture depicts the god Bes protecting Horus as a child. Notice the faded hieroglyphs on the back. Pouring water over the words unleashed their power.
Zoëga’s comments on the underside of the accompanying drawing show that he exchanged technical information about the object with scholars in England: ‘British Museum. Sycamore wood, covered with a bituminous substance like pitch, above which the hieroglyphs are painted in yellow.’ The sculpture had been part of the British Museum’s collection since 1785.
[British Museum]
Taken in the Exhibition
Hieroglyphs: Unlocking Ancient Egypt
(October 2022 - February 2023)
For centuries, life in ancient Egypt was a mystery.
We could only glimpse into this hidden world, until the discovery of the Rosetta Stone provided the key to decoding hieroglyphs, allowing us to read this ancient script. The breakthrough expanded our understanding of human history by some 3,000 years.
Marking 200 years since the decipherment of Egyptian hieroglyphs, this major exhibition took visitors through the trials and hard work that preceded, and the revelations that followed, this ground-breaking moment.
Hieroglyphs were not just beautiful symbols, they represented a living, spoken language. From romantic poetry and international treaties, to shopping lists and tax returns, the hieroglyphic inscriptions and ancient handwriting in this exhibition revealed stories that are fantastically varied. As well as an unshakeable belief in the power of the pharaohs and the promise of the afterlife, ancient Egyptians enjoyed good food, writing letters and making jokes.
The show charted the race to decipherment, from initial efforts by medieval Arab travellers and Renaissance scholars to more focussed progress by French scholar Jean-François Champollion (1790–1832) and England’s Thomas Young (1773–1829). The Rosetta Stone, discovered in 1799, with its decree written in hieroglyphs, demotic and the known language of ancient Greek, provided the key to decoding the ancient signs. The results of the 1822 breakthrough proved staggering.
Using inscriptions on the very objects that Champollion and other scholars studied, this immersive exhibition helped visitors to unlock one of the world’s oldest civilisations.
[British Museum]
Figure and Translation
Print of the translation (1789)
Bologna, paper
Early Italian collections were studied by Danish antiquarian and coin specialist Georg Zoëga (1755–1809). Zoëga became the leading Egyptologist of his generation and was almost successful in decipherment. He rejected the view that hieroglyphs concerned occult sciences and magical rites, reading many inscriptions instead as praise of kings and gods. His early copy of the hieroglyphs on this statue is the only evidence of its now lost inscription.
Bes (747–332 BC)
Egypt, wood
This magical sculpture depicts the god Bes protecting Horus as a child. Notice the faded hieroglyphs on the back. Pouring water over the words unleashed their power.
Zoëga’s comments on the underside of the accompanying drawing show that he exchanged technical information about the object with scholars in England: ‘British Museum. Sycamore wood, covered with a bituminous substance like pitch, above which the hieroglyphs are painted in yellow.’ The sculpture had been part of the British Museum’s collection since 1785.
[British Museum]
Taken in the Exhibition
Hieroglyphs: Unlocking Ancient Egypt
(October 2022 - February 2023)
For centuries, life in ancient Egypt was a mystery.
We could only glimpse into this hidden world, until the discovery of the Rosetta Stone provided the key to decoding hieroglyphs, allowing us to read this ancient script. The breakthrough expanded our understanding of human history by some 3,000 years.
Marking 200 years since the decipherment of Egyptian hieroglyphs, this major exhibition took visitors through the trials and hard work that preceded, and the revelations that followed, this ground-breaking moment.
Hieroglyphs were not just beautiful symbols, they represented a living, spoken language. From romantic poetry and international treaties, to shopping lists and tax returns, the hieroglyphic inscriptions and ancient handwriting in this exhibition revealed stories that are fantastically varied. As well as an unshakeable belief in the power of the pharaohs and the promise of the afterlife, ancient Egyptians enjoyed good food, writing letters and making jokes.
The show charted the race to decipherment, from initial efforts by medieval Arab travellers and Renaissance scholars to more focussed progress by French scholar Jean-François Champollion (1790–1832) and England’s Thomas Young (1773–1829). The Rosetta Stone, discovered in 1799, with its decree written in hieroglyphs, demotic and the known language of ancient Greek, provided the key to decoding the ancient signs. The results of the 1822 breakthrough proved staggering.
Using inscriptions on the very objects that Champollion and other scholars studied, this immersive exhibition helped visitors to unlock one of the world’s oldest civilisations.
[British Museum]