The Sangreal Bourne by a Maiden
The Achieving of the Sangreal, 1892
By Aubrey Beardsley
This is the sample drawing that secured Beardsley the Morte Darthur commission. Dent declared it 'a masterpiece', and it was used as the frontispiece for Volume II. It seems to refer to the crucial episode of the book, in Chapter XIV, where Sir Percival kneels to make a prayer to Jesus in the present of Sir Ector, and the Sangreal (popularly called the Holy Grail) appears to him 'bourne by a maiden'.
[Tate Britain]
From the exhbition
Aubrey Beardsley
(4 March - 20 September 2020)
Aubrey Beardsley shocked and delighted late-Victorian London with his sinuous black and white drawings. He explored the erotic and the elegant, the humorous and grotesque, winning admirers around the world with his distinctive style.
Spanning seven years, this exhibition will cover Beardsley’s intense and prolific career as a draughtsman and illustrator, cut short by his untimely death from tuberculosis at the age of 25. Beardsley’s charismatic persona played a part in the phenomenon that he and his art generated, so much so that the 1890s were dubbed the ‘Beardsley Period’.
This will be the first exhibition dedicated to Beardsley at Tate since 1923, and the largest display of his original drawings in Europe since the seminal 1966 exhibition at the V&A, which triggered a Beardsley revival.
The over 200 works include his celebrated illustrations for Le Morte d’Arthur, Lysistrata and Oscar Wilde’s Salomé. It will also show artworks that were key inspirations for Beardsley, including a Japanese scroll and watercolours by Edward Burne-Jones and Gustave Moreau.
[Tate Britain]
The Sangreal Bourne by a Maiden
The Achieving of the Sangreal, 1892
By Aubrey Beardsley
This is the sample drawing that secured Beardsley the Morte Darthur commission. Dent declared it 'a masterpiece', and it was used as the frontispiece for Volume II. It seems to refer to the crucial episode of the book, in Chapter XIV, where Sir Percival kneels to make a prayer to Jesus in the present of Sir Ector, and the Sangreal (popularly called the Holy Grail) appears to him 'bourne by a maiden'.
[Tate Britain]
From the exhbition
Aubrey Beardsley
(4 March - 20 September 2020)
Aubrey Beardsley shocked and delighted late-Victorian London with his sinuous black and white drawings. He explored the erotic and the elegant, the humorous and grotesque, winning admirers around the world with his distinctive style.
Spanning seven years, this exhibition will cover Beardsley’s intense and prolific career as a draughtsman and illustrator, cut short by his untimely death from tuberculosis at the age of 25. Beardsley’s charismatic persona played a part in the phenomenon that he and his art generated, so much so that the 1890s were dubbed the ‘Beardsley Period’.
This will be the first exhibition dedicated to Beardsley at Tate since 1923, and the largest display of his original drawings in Europe since the seminal 1966 exhibition at the V&A, which triggered a Beardsley revival.
The over 200 works include his celebrated illustrations for Le Morte d’Arthur, Lysistrata and Oscar Wilde’s Salomé. It will also show artworks that were key inspirations for Beardsley, including a Japanese scroll and watercolours by Edward Burne-Jones and Gustave Moreau.
[Tate Britain]