2017 Vivid Sydney: MCA: Organic Vibrations #4
MCA: Organic Vibrations
Artists: JULIA GORMAN + DANNY ROSE: Julia Gorman (Australia) / Sergio Carrubba (France) / Paola Ciucci (France)/ Lucia Frigola (France) / Cédric Péri (France)
Collaborators: Emanuele De Raymondi (Italy) / Giulio Ronconi(Italy) / Narayana Minozzi (Italy) / Alessandro Persi (Italy)
Organic Vibrations is a collaboration between Julia Gorman, an Australian artist whose work is currently on display in the collection galleries of the Museum of Contemporary Art Australia (MCA), and Paris-based creative and artistic collective, Danny Rose. Together, they create a single, coherent artwork from the constant morphing and mutation of a series of images, which flow seamlessly over the facade of the MCA.
The abstract images are drawn from the shapes and colours of the natural world, and are seen as sinuous lines that appear to grow organically until they cover the severe and geometric art deco facade of the Museum.
The installation uses projection-mapping techniques to transform the façade with images originally made by the artist in watercolour, oils, marker pen, and painting applications. This flow of hand made images, synthesised with music, creates a multi-sensory experience as the audience follows a 10-minute animated sequence of colour, movement and emotion.
2017 Vivid Sydney: MCA: Organic Vibrations #4
MCA: Organic Vibrations
Artists: JULIA GORMAN + DANNY ROSE: Julia Gorman (Australia) / Sergio Carrubba (France) / Paola Ciucci (France)/ Lucia Frigola (France) / Cédric Péri (France)
Collaborators: Emanuele De Raymondi (Italy) / Giulio Ronconi(Italy) / Narayana Minozzi (Italy) / Alessandro Persi (Italy)
Organic Vibrations is a collaboration between Julia Gorman, an Australian artist whose work is currently on display in the collection galleries of the Museum of Contemporary Art Australia (MCA), and Paris-based creative and artistic collective, Danny Rose. Together, they create a single, coherent artwork from the constant morphing and mutation of a series of images, which flow seamlessly over the facade of the MCA.
The abstract images are drawn from the shapes and colours of the natural world, and are seen as sinuous lines that appear to grow organically until they cover the severe and geometric art deco facade of the Museum.
The installation uses projection-mapping techniques to transform the façade with images originally made by the artist in watercolour, oils, marker pen, and painting applications. This flow of hand made images, synthesised with music, creates a multi-sensory experience as the audience follows a 10-minute animated sequence of colour, movement and emotion.