S & R 108 #09, watcher selection

John Ellis says: In this shot several things add to the reflection of another (smart) parked car: the paving stones that help give a subtle monochromatic colour scheme but, more strikingly, the shadow of a shark cruising below the surface.

#09 by Jota C.

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John Ellis says: There were some entries that used the car in its environment rather than creating images within its frame, but none matched the very effective combination shown here. It is not ideal because of the burned out elements in the sky but the prevailing blue palette and the montaged shape of the speeding car make it reasonably easy to discount the imperfection.

#09 by THANASORN JANEKANKIT

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John Ellis says: This is definitely in the aesthetic camp. Because the photographer is rendered anonymous by being in total shadow, the whole shot revolves round the richness of the black and gold being set off by the red of the cap.

Black-Red-Gold by Michael May

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John Ellis says: I am attracted to this by the story-telling inherent in the way the reflections and direct imaging come together in relation to the woman and child - a dangerous journey in a city at night.

#09 "Use the cars" by Stevyn Deeves

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John Ellis says: One of the cleverest shots in the way the monochromatic rust red dominates the image and how there is a slightly surreal element to the precarious nature of the buildings engendered by the reflection.

# 09 by scala66/Paul Marsh

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John Ellis says: The attraction of this is the symmetry given by the curved distortion of the building in the roof of the car. The woman caught in the centre of the window gives the added interest required.

#09 by Narut Suvarnbhumi

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