SPNC yr4 #16, watcher selection

John Ellis says: The one person is placed such that he has a disproportionate influence on how the geometries of street and building provide rhythm.

by paulu.

12 19

John Ellis says: An abundance of rhythm from the alternating figures and dogs. The figures are given strong form by the hazy background from the water vapour.

SPNC - Year 4 - Instruction 16 by Jill Maguire

33 21

John Ellis says: The play of the ripples and the geometry of pool and wall are given extra life by the latent energy of the toy shark and the splashing girl.

The great escape by Sanja Buterin

54 19

John Ellis says: This is one of those pictures that is 'just right' but hard to pin down why. An excellent observation.

Nagoya, Aichi, Japan / Jul. 5th, 2014 by Mankichi Shinshi

26 24

John Ellis says: Dark figure, light figure - an almost soup-like red light. Poetry in motion as the old song went!

Midnight Circus by Renate's Mate

17 18

John Ellis says: A crazily packed shot even round the edges. It all ties together and the rhythm drives one's eyes round and round

by Vignesh_TG

73 14

John Ellis says: Foreground, centre and background all contribute their part to the symphonic whole.

#168Rhythm&Wave (Elbsand #14) by Peter Dunsche

49 22

John Ellis says: The real contribution to rhythm here is the shadow set at an angle to the penguins.

by siri.thompson

173 51

John Ellis says: Good enough even without the yellow cable on the floor echoing the soldier's lacing on his arm. His gaze at the camera brings the scene alive.

SPNC - Year 4 - # 16 by Sylvain Biard

161 18