Auguste Rodin, Eternal Spring,1881
The woman arches her torso in willful surrender to her partner, who bends at his ease to kiss her. Rodin tempered the work’s overt eroticism by giving it a variety of classicizing titles. First called Zephyr and Earth and later exhibited in the Paris Salon of 1897 as Cupid and Psyche, the composition’s true subject is sensuality and impassioned lovemaking. This marble version, commissioned in 1906 by the railroad investor and banker Isaac D. Fletcher, displays the soft, veiled quality of carving associated with Rodin’s late marbles
Auguste Rodin, Eternal Spring,1881
The woman arches her torso in willful surrender to her partner, who bends at his ease to kiss her. Rodin tempered the work’s overt eroticism by giving it a variety of classicizing titles. First called Zephyr and Earth and later exhibited in the Paris Salon of 1897 as Cupid and Psyche, the composition’s true subject is sensuality and impassioned lovemaking. This marble version, commissioned in 1906 by the railroad investor and banker Isaac D. Fletcher, displays the soft, veiled quality of carving associated with Rodin’s late marbles