Seal
Constantin Brâncuși
b.1876 Hobita,Romania
d.1957 Paris
Miracle (Seal [1]) (1930-1932)
-limestone on marble base
Movement-Modernism
Constantin Brâncuși revisited subjects and forms frequently throughout his career,executing variations of earlier sculptures with subtly reimagined contours and in new mediums and scales.Both the Miracle Seal and Flying Turtle were the first of their kind and relatively late additions to the artist's repertoire of motifs;in fact Flying Turtle was the last sculpture Brancusi executed that did not have a direct formal precedent.The two works however do show a continuity with many of the sculptor's overarching concerns.
Animals were a common subject for Brancusi,although excepting humans,he focused exclusively on those that fly or swim.The shapes of such animals were suited to the compact volumes that the sculptor favored,as well as his desire to depict speed and movement.In the Miracle Seal and Flying Turtle the simplified forms suggest not only the creatures namesakes but also their fluid means of locomotion.By balancing both sculptures delicately on their respective limestone bases and giving each a pronounced upward thrust,Brancusi captured the seamless weightlessness of bodies suspended in water or air.The effect is striking given the significant mass of these two marble works.
For Brancusi animals held symbolic weight and transcendent possibilities.In the case of the Miracle Seal,the breaching form may allude to emotional regeneration inspired by the sight of an acquaintance of the artist experiencing catharsis while swimming.
Seal
Constantin Brâncuși
b.1876 Hobita,Romania
d.1957 Paris
Miracle (Seal [1]) (1930-1932)
-limestone on marble base
Movement-Modernism
Constantin Brâncuși revisited subjects and forms frequently throughout his career,executing variations of earlier sculptures with subtly reimagined contours and in new mediums and scales.Both the Miracle Seal and Flying Turtle were the first of their kind and relatively late additions to the artist's repertoire of motifs;in fact Flying Turtle was the last sculpture Brancusi executed that did not have a direct formal precedent.The two works however do show a continuity with many of the sculptor's overarching concerns.
Animals were a common subject for Brancusi,although excepting humans,he focused exclusively on those that fly or swim.The shapes of such animals were suited to the compact volumes that the sculptor favored,as well as his desire to depict speed and movement.In the Miracle Seal and Flying Turtle the simplified forms suggest not only the creatures namesakes but also their fluid means of locomotion.By balancing both sculptures delicately on their respective limestone bases and giving each a pronounced upward thrust,Brancusi captured the seamless weightlessness of bodies suspended in water or air.The effect is striking given the significant mass of these two marble works.
For Brancusi animals held symbolic weight and transcendent possibilities.In the case of the Miracle Seal,the breaching form may allude to emotional regeneration inspired by the sight of an acquaintance of the artist experiencing catharsis while swimming.