"If you want to change your photographs, you need to change cameras.
Changing cameras means that your photographs will change.
A really good camera has something I suppose you might describe as its own distinctive aura."
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- Leica M -
Leica M6 Classic Hell - 1988
Summilux-M 35mm f/1.4 ASPH - 11874 - 1995
Summicron 50mm f/2 Rigid Dual Range - 11118 - 1959
Noctilux-M 50mm f/1 - 11821 3rd - 1986
Voigtlander Color-Skopar Vintage Line 21mm F3.5 - 2019
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-Konica Rangefinder -
Konica Auto S3 - 1972
(with Hexanon 38mm f/1.8)
Konica Hexar RF - 1999
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- Leica Screw Mount LTM -
Leica Leitz IIIc - Postwar Version - 1946
Leica Leitz IIIg - 1957
Leitz Elmar 50mm f/3.5 LTM - 1948
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- Cosina Voigtländer LTM -
CV 15mm f/4.5 Ultra Wide Version I - Silver
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- Canon LTM -
Canon P - Repaint, Hammertone finish - 1958
Canon Serenar 35mm f/2
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- Canon SLR -
Canon F-1 - 1976
Canon FD 24mm f/2.8
Canon FD 50mm f/1.2 L
Canon FD 85mm f/1.2 L
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- Nikon RF -
Nikon S2 - EP - black dial - 1955
Nikkor S.C 50mm f/1.4
W-NIKKOR·C 3.5cm f/3.5
Nikon 3.5-13.5cm Varifocal View Finder (Model 1)
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- Nikon SLR -
Nikon F2AS Photomic - 1977
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- Lomography -
Petzval 80.5 Alu Black Bokeh Control Nikon F Lens
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- Olympus SLR -
Pen FT - Black Paint - 1971
Olympus H.Zuiko Auto-S 42mm f/1.2
Olympus OM-4 Ti - 1982
Olympus Zuiko Auto-S 50mm/f1.2
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- Minolta -
Minolta TC-1 - 1996
(with Minolta G-Rokkor 28mm f/3.5)
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- Rollei -
Rollei 35 Classic - Germany - 1990
(with Sonnar 40mm f/2.8 HFT)
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- Hasselblad -
Hasselblad 503CW ISO 3200 (Acute Matte D) - 1999
CF Planar 80mm f/2.8 - 1989
A12 III - 1990
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- Rolleiflex TLR -
Rolleiflex 2.8F White Face - 1971
Schneider-Kreuznach Xenotar 80mm f/2.8
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- Pentax -
Pentax Asahi 6×7 MLU - 1976
Pentax 67 - 1989
Pentax SMC Takumar 105 f/2.4
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- Mamiya -
Mamiya 7II - 1995
Mamiya N65mm f/4L
Mamiya N80mm f/4L
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- Fujiiflm -
Fuji Fujifilm GF670 Professional - 2009
(with Super-EBC Fujinon 80mm f/3.5)
Fuji Fujifilm GW690III - 1992
(with Super-EBC Fujinon 90mm f/3.5)
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Kiev -
Kiev 60 (broken) - 1984
MIR 45mm f3.5
ARSAT/VOLNA 80mm f/2.8
VEGA 120mm f/2.8
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- Large Format System -
Horseman HD45 - 1995
Sinar F2 - 1986
Ebony 45SU
Schneider 90mm f/5.6 Super Angulon MC
Nikon Nikkor W 105mm f/5.6 S
Schneider 150mm f/5.6 Apo-Symmar
Sinar 210mm f5.6 Sinaron-S/Sironar-N MC
Kodak Ektar Commercial 10" f/6.3
Portrait Petzval Ross (?) 150mm f/3.5 II
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- Polaroid -
Polaroid Land Automatic 250
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- Toy Camera -
Holga 120GCFN - Black - 2022
Blackbird, fly - Red - 2008
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- DSLR -
Canon 6D - 2012
Canon 40D + BG-E2N - 2008
Canon EF 24-105mm 4L
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- M43 -
Sony Alpha 7 IV - 2021
Sony FE 16-35mm F2.8 GM II - 2023
Sony FE 24-70mm F2.8 GM II - 2022
Olympus Pen EP1 - 2009
M.Zuiko Digital 14-42mm 1:3.5-5.6
M.Zuiko Digital 17mm 1:2.8
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- Camcorder -
SONY HDR-AX2000E - XM-1 + VCT-SP2BP - 2010
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- Film Scanner -
Nikon Super CoolScan LS-5000 ED
Nikon Super CoolScan LS-8000 ED
Epson Perfection V850 Pro
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「他一個人,在南美洲,
藍天白雲狂風暴雨大吃大喝被搶被盜
平地高原手麻腳痛哲古華拉個不亦樂乎。」
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- JoinedJuly 2008
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Testimonials
I love Street Shot which the viewpoint of OK caught! Always thanks for stimulation!
I cannot believe *OK is only 17. His commitment to his art and vision is well beyond those who are double and triple his age. I say "art" because that is what he has created in his photostream: Pure. Undeniable. Art. I am constantly inspired by *OK's work. He has an amazing eye and ability to see beauty everywhere and … Read more
I cannot believe *OK is only 17. His commitment to his art and vision is well beyond those who are double and triple his age. I say "art" because that is what he has created in his photostream: Pure. Undeniable. Art. I am constantly inspired by *OK's work. He has an amazing eye and ability to see beauty everywhere and capture the perfect moment, often candidly. His film work is out of this world and his dedication to film as a medium is remarkable. Beyond this, *OK is a committed contact. We are so lucky to have him in the Flickr community.
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