Wonil Lee 李元一

 

1951 / Born in Choong-nam, R.O.Korea

1974 / Graduate Fine Art College of Hong-Ik University in Korea

Sep. 1975 to Feb. 1978 / In charge of Display Design for Dae-Woo Group. Korea

Feb. 1978 to Feb. 1985 / In charge of overseas P.R and

Trading Exhibition for Hyundai Group. Korea

Feb. 1983 to Feb. 1993 / Operate for Won-Il Art Institute, Seoul, Korea

July 12, 1993 / Landed Immigrant Status, Vancouver, Canada

Apr. 2000 / Canadian Citizen Status, Canada

  

Prizes

● Grand Prize-Victory Trophy

● First Prize-Victory Gold Medal

(L’elite Contemporaine Grand Prix International de Paris ’99)

● First Prize (Soho, NYC International Art Competition. ’95)

● Gold Medal (18th Baghdad International Trade Fair ’81)

● Gold Medal (19th Baghdad International Trade Fair ’82)

 

Commendation

July 7, 1989 by Korean Association of Institutes

May 26, 1990 by Korean Association of Institutes

 

License

Teacher’s License by Ministry of Education of Korea; 1974

 

●Gallery Artist of the Art Appreciation

(Miami, U.S.A. 2001~2003)

●Gallery Artist of the Fletcher Gallery

(Woodstock NY, U.S.A. 1998~1999)

●Gallery Artist of the Gallery B.A.I.

(NY, U.S.A./ Barcelona Spain 1998~2000)

●Gallery Artist of the Agora Gallery

(NY, U.S.A. 1995~1997)

●Gallery Artist of the Co-Art International

(Vancouver, Canada 1997)

●Gallery Artist of the Simon Patrich Gallery

(Vancouver, Canada 1995~1996)

●Gallery Artist of the Raymond Chow Gallery

(Vancouver, Canada 1994~1995).

  

FINE ART EXHIBITION EXPERIENCE-

 

● Solo Exhibitions

 

Apr. 1987

The First Solo Exhibition by Won-Il Lee

(Woo-Jung Art Gallery, Seoul, Korea)

 

May 1991

The Second Solo Exhibition by Won-Il Lee

(INDECO Art Gallery, Seoul, Korea)

 

Apr. 1994

The third Solo Exhibition “Cosmic Spirit” by Won-Il Lee

(Ferry Building Gallery, Vancouver, Canada)

 

Oct. 2004

The Fourth Solo Exhibition “Cosmic Spirit” by Won- Il Lee

(Covan Art Gallery, Vancouver, Canada)

  

● Group Exhibitions

 

(Vancouver, Canada)

 

1994 Harmony Art Festival Group Show

 

1994~97 Gallery Artist Group Show

●Raymond Chow Gallery

●Simon Patrich Gallery

●Co- Art International Gallery

 

1997 Exhibition of “Emotional & Rational”

1998 Exhibition of “Discovery ’97”

1999 Exhibition of “Discovery ’99”

2000 4th Art Exhibition of the Korean Artist Association

2001 5th Art Exhibition of the Korean Artist Association

2002 Exhibition of “Beautiful Mind”

 

● Group Exhibitions

 

(New York, Woodstock, U.S.A./

Barcelona, Spain/ Paris, Unet, France)

 

Aug. 1995 / SOHO, NYC International Art Competition

Award Exhibition “4 Person Show” (Agora Gallery, NY, U.S.A.)

 

Oct. 1995 / Long Island Art Fair

(Agora Gallery, Nassau Coliseum, Long Island, NY, U.S.A.)

 

Mar. 1996 / “Formed Surfaces”

(Agora Gallery, NY, U.S.A.)

 

May to Jun. 1997 / “Fragments”

(Agora Gallery, NY, U.S.A.)

 

Mar. to Apr. 1998 / “Gallery Artist Group Show”

(Gallery B.A.I, NY, U.S.A.)

 

Mar. to Apr. 1998 / “Gallery Artist Group Show”

(Gallery B.A.I, Barcelona, Spain)

 

June 1999 / “L’elite Contemporaine”

Grand Prix International de Paris

(City Hall of Paris, France)

 

Jul. to Aug. 1999 / “Les Maitres de L’an 2000”

Grand Prix Europeen et Bienial de Aquitaine

(Musee Des Beaux Arts D’unet, Unet, France)

 

Mar. 2000 / “Show Case 2000”_ New Art International Group Exhibition (Fletcher Gallery, Woodstock, NY, U.S.A.)

 

2001 to 2003 Internet Gallery-Art appreciation co. Miami, U.S.A.)

  

● Group Exhibitions (Seoul. Korea / Osaka, Japan)

- Deletion before 1986-

 

1986

Exhibition of “Hong-Ik ’70’

Exhibition of “Hong-Ik Rain”

The Lively Scene, 39 Fine Artist Fair

 

1987

Membership Exhibition of “Ku-Zo” Art Group

Membership Exhibition of “Bang-Bup /Method” Art Group

 

1988

Seoul-Worlds Contemporary Art’s Exhibition

 

1989

Membership Exhibition of Korean Fine Arts Association

Membership Exhibition of “Ku-Zo” Art Group

 

1990

Membership Exhibitions oh Korean Fine Arts Association

 

1991

Artistic Spirit through Symbol, Il-Won-Sang ‘O’

Exhibition of “Today”

Exhibition of Central Artist “Joong-In”

Exhibition of “Hong-Ik ‘70”

 

1992

Exhibition of “Big”

Exhibition of “Mail Art ‘92”

Exhibition of “Today”

Asia Invitation Art Exhibition in Seoul, ‘92

International Exchange Exhibition of Contemporary Art

Japan-Korea Crossing Exhibition of Contemporary Art

Membership Exhibition of Korean Fine Arts Association

22 Artists Invitation Exhibition of “Spirit of the Cosmos”

Exhibition of “Hong-Ik ‘70”

Exhibition of “Meeting ‘92”

 

1993

Exhibition of “Presentiment”

Exhibition of “Gesture of Reflection”

Austria-Korea Crossing Exhibition of Contemporary Art

  

INTERNATIONAL EXHIBITION EXPERIENCE-

  

1980

Posidonia ’80 (Piraeus, Greece)

Kormarine ’80 (KOEX, Seoul, Korea)

OTC ’80 / Offshore Technological Conference /

(Houston, U.S.A.)

Expoship Far East (Hong Kong)

 

1981

BIF ’81 / Baghdad International Trade Fair / (Baghdad, Iraq)

 

1982

SITRA ’82 / Seoul International Trade Fair /

(KOEX, Seoul, Korea)

BIF ’82 / Baghdad International Trade Fair / (Baghdad, Iraq)

Posidonia ’82 (Piraeus, Greece)

Kormarine ’82 (Pusan, Korea)

OTC ’82 / Offshore Technological Conference /

(Houston, U.S.A.)

Expoship London (London, England)

 

1983

BIF ’83 / Baghdad International Trade Fair / (Baghdad, Iraq)

 

1984

Korea Plaza (Los Angeles, U.S.A.)

BIF ’84 / Baghdad International Trade Fair / (Baghdad, Iraq)

OTC ’84 / Offshore Technological Conference /

(Houston. U.S.A.)

Expoship Canada (Halifax, Canada)

Chicago Electronics Show (Chicago, U.S.A.)

  

Approximately 100 Exhibitions excluding the list above

  

■ “Surely, Wonil Lee’s works have a mysteriously, magnetic force.

Sometimes that magnetic force pulls us into a microcosmic world,

and at other times it leads us to an infinite space. In other words,

it simultaneously leads us into a microcosm and macrocosm.

Perhaps, we call this force_”Chi” (life force).

 

Images that appear in Wonil Lee’s artwork provoke thoughts of

certain heavenly realm (Indeed, his images seem to appear on screen

rather than being drawn of canvas) However, this realm is not something

we see with our physical eyes but it is a heavenly realm which

exists as the surface and the symbol of celestial space, or a universe.

 

This celestial space is infinite and yet it contains micro beings

like biological cells. It can be a circle which contains the universe or

it can be a point. Thus the points or the micro beings form an infinite space.

Within these micro beings, there is infinity, and within infinity,

the micro beings become one. Also, the fact that these things breathe

a universal space may lead us to believe that celestial space is the world of

“Chi” Furthermore, through many light years, “Chi” is transformed into

a space which is embedded in the mind of the artist.

 

The shape that appears most frequently in Wonil Lee’s works is a circle.

Circle is a shape which is perfect in itself, and yet it is an image.

The artist’s work can be seen as a world of images that

unites itself, and breaths the products of infinity formed by evidences

left behind by a rain storm within circle or with circle as its center,

or by the cooling of an intense heat from the center of earth.”

  

April 1986 Art Critic: Yl Lee

  

■ “Formed Surfaces” March 2~30 (Artspeak, New York, Spring 1996)

 

In “Formed Surfaces,” three artists explore abstract forms with differing results.

Sherry Taus concentrates on funky biomorphic forms, suggesting a microscopic view of

a lively alien world.

Wonil Lee, on the other hand, combines emblematic compositions with esoteric

symbols to pleasing effect.

Antoinette Fernandes makes her own contribution with energetic gestural abstractions,

setting splashy forms against color fields.

All three artists are gifted and already exhibit the authority that suggests a deep

commitment to abstract paintings.

 

-S.K..Flint

  

■ “Fragments” May 29~June21 (Artspeak, New York, June/July 1997)

 

Several gifted artists form here and abroad, some new to the New York gallery scene,

others familiar, are featured in excellent showcase exhibitions at Agora Gallery,

560 Broadway, from May 29 through June 21.

In the five artist show, “Fragments’

Jane Cook………………………………………………………………………………….

Geeta Harvey……………………………………………………………………………....

Wonil Lee, on the other hand, presents the soul of stillness in precise geometric

abstractions that project Zen-like serenity through a merging of Eastern and

Western cultural influences.

Roose Van Vranken………………………………………………………………………...

Joe Vargas…………………………………………….........................................................

-Zoltan Hegyes

  

■ Gallery B.A.I. Group Exhibition Mar. to Apr. (Gallery B.A.I.,New York, 1998)

 

This group exhibition is part of Gallery B.A.I.’s continuing program highlighting the diversity of

styles and creative concerns giving to the contemporary art scene of today much of

its precious vital spark. The works on view by the exhibition’s six featured artists make

for a particularly lively display. They offer ample demonstration of how possible it is still for

an artist today to interest the viewers in one’s individual interpretation of subjects and

forms no matter how many other different ways they might have been presented

to us before……………….

Although they are as old as our most primary cultures, circles, triangles and lines are

also timeless. Wonil Lee shows how he calls on them to provide the basis of a personal artistic

language. In the broadcast sense their history is of keen interest to the Korean-born Lee,

Who lives in Vancouver, Canada and exhibits internationally. “The Way”, “The Chi” “The Tao”

are among his different series of paintings inspired by a need to investigate cosmic and

spiritual concepts long associated by major world religious and philosophies with

elemental geometric shapes and structures. In addition to references they contain to life force

and infinity, the oils in the attention given to scalar and tactile values in his oilsreveals

the sophisticated abstract sensibility Lee has.............................................................................

 

- Gallery B.A.I.

  

■ Book art international (Book art press, 1996)

 

Conceptual depictions of microcosmic beings like biological cells or macrocosmic like

all of existence, a circular heavenly realm or endless variations upon a point,

the breath of infinity or a center force, a holistic plunge out of the self into the self;

All angles of the eye viewing the art of Wonil Lee are equally precise and inaccurate.

Lee’s mystical paintings simply radiate a presence and a beauty from the eye of a painter.

  

■ Book art international (Book art press, 2001)

 

The trend of shape and impulse in natural forces informs the psychoactive images of Wonil Lee.

His organic integrations of textural detail and the ultimately defining patterns of innately cosmic

configuration grasp primordial and preconscious allure as an instrument of aesthetic instinct.

The resultant images possess a enigmatic and mystical potency.

  

■ Wonil Lee (Agora Gallery)

 

Projects a complex personal vision in meticulously executed quasi-abstract compositions which

fuse an Eastern sensibility with a Western symbolism in oil and water color.

His brilliantly colored and elegantly composed images contain formal suggestions of

contemporary technology as well as subjective themes. Described by Korean art critic Yl Lee

as having “ a mysteriously magnetic force that pulls us into a microcosmic world and

at other times it lead us to an infinite space,” his imagery transcends culture and artistic tradition.

  

■ A Super Soho International Art Competition

August 2~23 ’96 (Artspeak, New York, October, 1995)

 

One of the most consistently excellent juried exhibitions of recent year outdoes itself

in the 1995 Soho International Art Competition, at Agora Gallery, 560 Broadway,

from August 2 through 23……………………First Prize winner,

Wonil Lee shows dynamic schematics and esoteric symbols, albeit on a contemporary scale

and with great visual impact……………................................................................................

 

- Zoltan Hegyes

  

■ ART PASSION (magazine Juin-Juillet 1999)

 

● Wonil Lee

Artiste, Poete, Philosophe Coreen

 

Enseignant aux Beaux Arts en Coree, il travaille aussi comme conservateur,

en charge de collections et d’expositions, pour de grandes companies coreennes.

Il émigré au Canada en ’93. Prime dans son pays, a Baghdad et a New York,

Il a egalement expose en Grece, Espagne et Angleterre.

 

Les collectionneurs sont encourages a demander “ ses notes d’artiste” en supplement de

ses oeuvres, se sont de poetiques oeuvres d’art.

“Je dessine des cercles simplement parce que

je veut tout dire au sujet du monde et parce que je n;ai rien a dire!”.

 

Wonil Lee peintdes circles et des points, c’est sa maniere d’expliquer la matiere,

le monde, l’infini et l’infiniment petit. Ces points a l’interieur, c’est nous dans l’immense univers

d’amour, amour que nous recherchons tous. Son oevre est grandiose et belle,

pure et chargee de sens et symbole.

 

C’est la serenite lorsque l’artiste reussit par la meditation, la concentration a unit dans

sa toile l’infiniment grand et le microscome et qu’un trait, une ligne a tout explique.

Tout est purete parce que Wonil Lee peaufine et discipline son esprit, son ame et

son art pour expliquer par ses symbols l’univers et son existence.

 

Le talent trouve sa raison d’etre dans ce qu’il appelle Ki=les forces de vie qui anime,

lorsque l’inspiration est a son apogee, l’esprit de l’artiste. Cette force reste dans l’oevre et

c’est exceptionnel. La force reside aussi dans la repetition des memes couleurs,

noir, ivoire, rouge et l’extreme perfection du trace.

 

-Jane Chambeaux-

  

■ From Artist’s Notes

  

●

I look to God in order to fine the true meaning of my life.

God comes to me so that I may find the true meaning of my life.

  

●

It was a work of God to hide gold in the dark place.

It is a work of wisdom to discover gold.

It is a work of art to return a refined gold to God.

 

Art is not taught;

It must be sought earnestly,

And it begins with an enlightenment.

  

●

I draw Circles mostly because

I want to say everything about the world,

And because I have nothing to say.

  

●

As I draw circles, I hope to learn the perfection and stability of

The macrocosmic and microcosmic world;

As I draw lines, I hope to learn the patterns, the consequences of

Deeds, and moral teachings that are found in History;

As I place points, I hope to learn a way to live together through

Universal love;

That’s why I refine and discipline myself and my art.

  

●

- Does God exist?

 

I can, without doubt.

 

- How do you know?

 

I know by looking at sky,

I know by looking at earth,

I know by looking at myself,

I know by looking at you.

 

And I know,

by looking at how this world goes by,

I know for sure.

  

●

When I draw on a rock,

The rock will carry my image,

 

When I draw on a piece of paper,

The paper will carry my image.

 

However,

When I draw my image on another person,

The image is easily spoiled.

 

Even when I draw my image on myself,

The image will be altered somehow.

  

●

I paint pictures

Not for a purpose, but for a way.

 

The reason is

To be nearer to the God by knowing him.

 

There can be only one,

God, from whom all teachings are made.

 

The truth immutable,

Out of many of his image,

I can express only one small part of him.

  

●

When you see with closed eyes,

When you listen with your ears blocked,

When you speak with the mouth shut,

You realize the world mysterious you never have.

 

When you remove all five senses,

You will then realize the power of the sixth sense.

This is the mystery.

Do not try to be like a rock,

But become the rock itself.

  

●

To know the value of my existence,

To know the true meaning of my life,

 

I,

Make an endless journey,

Into relationships,

Into the macrocosm and

Into the microcosm.

  

●

In this world,

Always,

Everywhere,

There exists two sides.

 

The Good and Evil,

Call it Yin and Yang,

Call it Plus and Minus.

 

Fall into bias by choosing one side.

 

I try to stand in the centre of the world,

I try to see both sides simultaneously.

  

●

Am I good?

Yes, I am good.

 

Am I evil?

Yes, I am evil.

 

Then,

Am I good, but also evil?

Yes I am.

I am good but also evil.

I am evil but also good.

 

However,

The effort to differentiate the good and evil,

It is useless effort,

It is good for nothing.

 

The measure of God and that of human being,

Are clearly different.

One should not measure good and evil,

With the stick in human's hand.

  

●

The law of the universe,

The law of deservedness,

Do you believe in the principles of requitement?

 

The righteousness and award, the sinfulness and punishment,

The indemnification regards to the judgement by the deed,

The prosper of the obedient, and the falling of the disobedient...

 

This principle,

I am certain it has no errors.

The universe is extremely exquisite.

 

But then,

In this life,

The unbearable pain of the good,

The intolerable joy of the evil,

What meaning do these carry?

 

Good to the God's measure or,

Good to the Man's measure?

 

Evil to the God's measure or,

Evil to the Man's measure,

One must clarify.

 

The principles of Good and Evil are indifferent.

 

God's measure

Surely will be different from ours.

 

When God created this world,

The First, Second, Third, Fourth, Fifth, and on the Sixth day,

God saw that,

It was good

  

●

What happens after death?

 

My body buried to return to soil,

 

My spirit remain on this world

Living with the people I leave behind

By the memories of, artworks of, and the words of me.

 

My soul ascend to the Heaven

Become one with God.

 

Then, how should I live?

 

To be remembered a good one forever to heaven and earth,

I must live my best.

 

*Living best would mean a living a holy life,

following the footsteps of Jesus Christ.

  

●

"I have not seen what I have seen," and

"I I have seen what I have not,"

Are lies.

 

"I have seen what I have seen," and

"I have not seen what I have not,"

Are true.

 

If you must see what you should see,

But cannot be seen,

 

Look with your eyes of flesh,

Look with your eyes of mind,

Look with your eyes of soul,

Just look!

Then it will be seen.

 

If you still cannot see,

Close your eyes.

Sit still,

Then it comes into picture.

 

If you still not see anything,

You are full of lies,

You are full of greed,

You are a fool.

 

You must not see what you should not see,

When it keeps on appearing,

It is never enough to not see with closed eyes.

 

Leave.

It is harder than eye popping, or hand chopping,

To leave the scene.

 

I have never seen my face.

What I have seen is mere reflection through mirrors or pictures.

Is it really impossible to see one's own face?

Socrates preached, "Know yourself."

  

●

I open the windows and

look at the still night sky.

 

There're breathing stars,

There're moving stars.

 

Moving and breathing are life,

Life is living.

 

They meet each other,

they talk to each other,

The living things.

 

When I breathe in the fresh air,

The respiration of the stars are

Sucked inside of me, and

we become one,

The star and I.

 

He is me,

I am He, simultaneously.

We are one,

In creation.

 

Undo the chain of time,

Jump over the wall of space,

Free, I will be.

 

The never ending space and

The never stopping time.

Mine, they are.

 

But, in silence,

Into the depth,

I see myself.

 

I greet the eternity,

I greet the infinity,

I greet God.

  

●

When God send me

Into this world,

He send three friends along.

 

One, to love and to be loved,

One, good for nothing,

One, as a foe.

 

When I return to Heaven after my life in this world,

 

I have lived to the fullest of full,

When I return with three loving friends.

 

I have lived to the unluckiest of the unfortunates,

When I return with three foes.

 

If I return with the ones I came with,

I must have lived of selfishness or laziness.

 

The life making friends into foes,

The life making foes into friends.

 

When I leave this world behind and

Return to Heaven,

 

What friends will I bring back?

  

●

Man has three eyes.

 

Eyes of flesh, of mind, and of soul.

However, they are inaccurate.

 

They see the ugly out of the beauty,

They see the beauty out of the ugly.

 

They see good are bad,

They see bad are good.

 

They say right is wrong,

They say wrong is right.

 

They say once good are always good, and

Once bad are always bad.

 

This is prejudice, seeing with lost center.

It is a matter of making standard out of what and whom.

It worsens when one makes the standard out of himself.

 

God gave a pair of eyes,

To look with both eyes without prejudice.

 

Left and right,

Front and back,

Up and down,

In and out.

One must see them all.

 

To see the world straight,

Clense body and mind, sit and close eyes in the stillness.

Everything becomes one.

 

There's no discrimination.

 

Of Size,

Of height, and

Of numbers.

 

Between right or wrong,

Between good or bad,

Between righteousness or wickedness.

 

Of creation,

Of banishing,

Between the beginning and the end,

Between a moment and eternity

 

There's only God.

There's neither you nor me.

A drop of water fallen on the vast ocean becomes the ocean itself.

 

Existence is seen as nonexistence and vice versa,

The pureness God created in the Beginning, can only be seen.

  

●

When I see a mountain,

I should climb it.

 

Once I am at the top of the mountain,

I should become the mountain.

 

When I see the ocean,

I should set out to the sea.

 

Once I am out at the sea,

I should become the ocean.

 

If I realize the ocean within the mountains and

The mountains within the ocean,

I realize who I really am.

I realize when I am the ocean and the mountain.

 

The thing that just is,

That is me,

That is the cosmos.

  

●

Be it glass or

Diamond.

 

Those are from the earth anyways,

How could one be better than the other?

 

However,

 

Their purposes are different.

Different for sure, different indeed.

 

Let's not live like surviving.

Life is truely living.

 

I tell myself.

Don't sing a song like singing a song.

But be the song.

 

I tell myself.

Don't paint pictures like painting pictures.

But be the pictures.

 

It's not about pretending to be a rock,

But be the rock itself.

 

Don't pretend to know, to be better, to be rich, to be different.

Live like who you really are. Honestly.

  

●

Looking out to the universe and,

Looking into the inside of a man

Is to find the way of life.

 

Yin and Yang,

Good and Evil,

The bright side of life and the dark side of it.

Not taking side with any one of them,

But to face them on either side.

 

Doing so will not let the balance to be lost,

Not allowing to leaning over,

Won't stumble.

That center, is where I should be.

 

Be it a telescope or a microscope.

They are all means to see.

Looking in and looking out.

What difference do they make?

 

1. Find the way to become stillness

2. Be still

3. Listen, at the center, the questions from one's heart

4. Trust the questions

5. Listen and Answer to the question and Follow them.

  

●

Let's live truthfully without untruth and hypocrisy.

 

The king made a special clothes.

It's visible only to the good, not to the bad.

 

He is naked, but definitely wearing something.

He is wearing clothes but definitely naked.

 

The king parades through the crowd wearing this special clothes.

The truth is that he is parading naked.

 

The crowd is so excited to see the awesome clothes the king is wearing.

They are not bad people because they can see the clothes.

But actually, they are bad people.

 

The king is very proud of the clothes as well as himself.

 

But wait, there's one little child who cannot see the clothes.

The child is very pure hearted and honest.

A pure hearted and honest person can see for sure.

The king is wearing clothes, but for sure naked.

 

The naked king,

Is not embarassed at all, because he is wearing clothes.

The chile is embarassed at the naked king.

 

The fairy outfit,

Made of spyder silk,

Is transparent and light.

Made to twinkle and is soft.

It's very beautiful and pretty.

It even has the jewel made of morning dew.

 

The fairy wearing this outfit is invisible.

But it's not because of the outfit,

But because they don't exist in the first place.

  

■ PUBLICATIONS-

● Art Magazines and Journals

 

Modern Architecture (2 full pages) 현대건축

Introduction of Hyundai Group Pavilion of Seoul International Trade Fair)

 

Art World (1/2 page) 미술세계

Introduction of 1stt Solo Exhibition

 

Monthly Cho-Sun (1 full page) 월간조선

 

City Life (1/2 page) 시티 라이프

City Life Gallery on Magazine

 

Atelier (2full page) 아뜨리에

“New Wave,” Introduction of Artist

 

Art World (2 full pages) 미술세계

Special Edition, Art- symbol and Sign

 

Korean Art Now Painting and Drawing (1 full page)

한국양화백년사

100 years history of Western Style Painting of Korea, Introduction of Art Work

 

Book Art International 1996 (2 full pages)

Book Art International 2000 (2 fullpages)

Introduction of Artist

 

Artspeak (October’95/ Spring ‘96/ June-July ’97)

Exhibition Review and preview

 

Art News (March ‘98/ April ’98)

Advertisement -And others

 

● News papers and Broadcasting

 

The Cho-sun Daily News 조선일보

The Dong-a Daily News 동아일보

The Choong-ang Daily News 중앙일보

The Han-Kook Daily News 한국일보

The Cheil Economy Daily News 제일경제신문

 

KCTV

Artist Wonil Lee (30 min.)

Artist Sangnam Lee and Wonil Lee (30 min.)

 

TV Korea

 

The Vancouver korean press 밴쿠버조선

The Korea Times /Vancouver branch 한국일보밴쿠버

The Korea Daily 중앙일보

The Korean Canadian News 한가신보

The Koreana Sunday News 코리아나

Corea Media 코리아 미디어

The Northshore News -And others